Syrian Tulin Hashemi waits for a job interview at a hotel in Vidigal slum in Rio de Janeiro, Brazil, September 22, 2015. Tulin, whose mother arrived two days ago, has been living in Brazil for two months. As she does not speak Portuguese, Tulin says it is difficult for her to find a job and therefore she is staying at the slum as it is one of the cheaper neighbourhoods to live in. According to the National Committee for Refugees (CONARE), 2,077 people fleeing the Syrian civil war have settled in Brazil, whilst a quarter of the 8,400 refugees in the Latin American country come from Syria. (Photo by Pilar Olivares/Reuters)

A wounded Syrian girl looks on at a make shift hospital in the rebel-held area of Douma, east of the capital Damascus, following shelling and air raids by Syrian government forces on August 22, 2015. At least 20 civilians and wounded or trapped 200 in Douma, a monitoring group said, just six days after regime air strikes killed more than 100 people and sparked international condemnation of one of the bloodiest government attacks in Syria's war. (Photo by Abd Doumany/AFP Photo)

A female is doused with wine as people take part in a wine battle, in the small village of Haro, northern Spain, Friday, June 29, 2018. La Batalla de Vino is held each June in the town of Haro on the feast of St Peter, an event organizers say draws thousands of people. On Friday, participants soaked each other with buckets and toy spray guns, turning their clothes a shade of purple. (Photo by Alvaro Barrientos/AP Photo)

Ialian artist Federico Mauro latest series takes a look at iconic footwear, and its symbolic representation of the people who wore them. With everything from Steve Jobs’ New Balance 991‘s to the Nike Air Mags sported by Marty McFly in Back to the Future II on show, the minimalist series shows how closely one’s identity can be linked to a single shoe.

See also: Famous Eyeglasses By Federico Mauro / Famous Guns By Federico Mauro

A collaboration between creative director Anna Burns and the photographer Thomas Brown. Through the use of various mediums the pair have curated an exhibition that explores the masculine world of B-Movies and juxtaposed it with the traditional British landscape. Using the themes of said movies – girls, guns and explosives – and twisting it against a very British backdrop these two challenge not only the premise of each subject but also the use of their chosen medias. The duo created a wall of umbrellas displaying elements of the classic B-Movie and located them within three landscapes – one being the forest, then London’s docklands and finally the grounds of Suffolk Manor house.

An ethnic Kayaw couple Mu Htoo and her husband Htaw Eili rest at their home at Htaykho village in the Kayah state, Myanmar September 12, 2015. With about 30,000 members, the Kayaw are one of the smallest ethnic minorities among Myanmar's 135 groups. Their village has for decades been off-limits, as armed rebels fought the military before a recent ceasefire stopped the bloody conflict here. The rebels in the area have put down their guns and taken to the hills to grow rice and corn, but slash-and-burn cultivation methods mean they struggle to find new places to farm. (Photo by Soe Zeya Tun/Reuters)

A policer officer hits a man with a baton as he tries to maintain order while migrants wait for trains at a temporary camp near Gevgelija, Macedonia, September 7, 2015. Several thousand migrants in Macedonia boarded trains on Sunday to travel north after spending a night in a provisional camp. Macedonia has organised trains twice a day to the north border where migrants cross into Serbia to make their way to Hungary. Since June, Macedonian authorities have said that more than 60,000 migrants have entered the country, and around 1,500 entered just in one day, mainly refugees from Syria. (Photo by Stoyan Nenov/Reuters)

Aisha, 15, (L) (who asked to withhold her last name), a Syrian refugee from Raqqa, waits with a fellow refugee while harvesting cannabis in the Bekaa valley, Lebanon October 19, 2015. Syrian refugees work to harvest and process spiky-leafed cannabis plants in neighbouring Lebanon’s Bekaa Valley. Often farmers of cotton and wheat back home in Raqqa province – now the de facto capital of Islamic State – the conflict in Syria drove them to seek safety in a region where Syrian migrant workers used to spend a few months a year before returning home. (Photo by Alia Haju/Reuters)