A man takes a picture of sea spray as storms hit Cape Town, South Africa, June 7, 2017. (Photo by Mike Hutchings/Reuters)

Sеxy brunet striptease dancer dancing lap dance in front of man. (Photo by Blue SkyImages/Getty Images)

A man talks on his mobile phone in the village of Devmali in the desert state of Rajasthan, India June 14, 2016. (Photo by Himanshu Sharma/Reuters)

A man wearing a mask looks on as he sells matresses in Manila, Philippines, January 8, 2020. (Photo by Willy Kurniawan/Reuters)

A man rides a golden motorbike on a street in Bangkok, Thailand on August 14, 2020. (Photo by Jorge Silva/Reuters)

A man stands next to a horsecart laden with oil drums on a street in Lahore on September 27, 2020. (Photo by Arif Ali/AFP Photo)

There is something frightening and at the same time appealing in the living sculptures of 27-year-old British artist Emma Fay. Body art in conjunction with the flexibility of acrobats and fantasy of the artist using water-based paints, a brush and sponge, is transformed into a beautiful work of art. It is not immediately possible to make out the human body in the picture. First you look at the landscape and suddenly begin to distinguish someone’s arm, or neck. Or you look into the eyes of an amazing bull, and it turns out that it is perfectly folded back. Lovely people, temples are and wonderful people-insects are.

Kim Joon is a Korean artist who specializes in creating images that resemble hollow porcelain human body parts painted in bold patterns from famous ceramic brands including Royal Copenhagen, Herend, and Villeroy & Boch. His latest project is called The Rocker and features a number of pictures of porcelain hands laying on a dish patterned in style of different famous rock bands of the past. The images are so vivid that it makes you think that these hands are actually real and not digitally crafted, though it would be amazing, if someone were to actually make a creation such as this in real life. (Photo by Kim Joon)