A kid casts his hand's shadow as kids play with light in “L'art dans la nature, Dali universe” an open air light show at Parc de la Villette in Paris, France on November 19, 2023. (Photo by Gonzalo Fuentes/Reuters)

Waxwings in Balham south London on December 31, 2023. There has been a huge influx of this erruptive species this year. This probably due to severe storms and a shortage of food in their native Scandinavia in the Autumn. (Photo by Jack Hill/The Times)

A man walks along a corridor at a hotel in Singapore on February 7, 2024. (Photo by Edgar Su/Reuters)

A male puma, named Bordo arrives for an examination and tests at a veterinary in Brasilia, Brazil, 31 October 2017 (issued 01 November 2017). Bordo, a young male puma, captured when he was a cub, will become the first animal of his species to be released in a sanctuary in the Brazilian savannah in Goias State close to Brasilia. The sanctuary, a preserve for wild cats, is in the first phase and is located on private lands but state funded. (Photo by Joedson Alves/EPA/EFE)

People hold umbrellas as they walk past a flooded street in Taiyuan, Shanxi Province, China, July 19, 2016. (Photo by Reuters/China Daily)

Activists from the People for the Ethical Treatment of Animals (PETA) demonstrate with slogans in protest of the designers use of fur, during the Paris Fashion Week, in front of the Eiffel Tower, in Paris, France, September 25, 2018. Placards read: “For a Fashion Week without fur”. (Photo by Benoit Tessier/Reuters)

People walk under Australia's iconic landmark Harbour Bridge in Sydney on April 3, 2019, as heavy fog blankets the city. Low visibility due to heavy fog affected traffic in the city and caused flight delays at the Sydney airport. (Photo by Saeed Khan/AFP Photo)

The “Paolo Di Paolo: Lost World” exhibition presents more than 250 largely unseen images from the photographer’s archive. Di Paolo chronicled life in his country as an economic boom followed the destruction of the second world war. Although those were the years of la dolce vita he was an anti-paparazzo – he shunned the salacious and respected his subjects. The exhibition is at MAXXI, the National Museum of 21st Century Arts in Rome until 30 June. Here: Viareggio in 1959. (Photo by Paolo Di Paolo/National Museum of 21st Century Arts)