Edouard Martinet was born in Le Mans, France in 1963 he studied art at ESAG, Paris and graduated in 1988. From 1988 to 1992 he lived and worked in Paris as a graphic designer, and in 1990 started sculpting and staging exhibitions. From 1992 to 1995 he lived in Charente before moving to his current location in Rennes where he teaches art at L'Institut des Arts Appliques.

A baby Asian elephant, born only two days before, stands next to his mother Nova in its enclosure at Tierpark Berlin Zoo on May 10, 2012 in Berlin, Germany. The male elephant calf, who does not have a name yet, weighs 102kg and is 91cm tall. (Photo by Timur Emek/dapd/Sean Gallup)

Susanna Bauer was born in 1969 in Bavaria, Germany. She has lived in England since 1996. Susanna has worked for the television and film industry for over 16 years, making objects like King Arthur’s chalice, cheeses for Wallace and Gromit, miniature robots, spaceships and buildings.

“Federico Bebber was born in 1974 in Udine, Italy. Since 1998 he deals with digital art. He uses digital tools based on photography. His creative process usually takes place slowly and at night”. Photo: “Remember”. (Photo by Federico Bebber)

Kacper Kowalski was born in 1977. With a degree in architecture, he focuses on aerial photography. Both a pilot and a photographer, he has unique control over each shot. As a result he captures previously unseen natural environments and ordinarily inaccessible cityscapes. In this way unreal, almost graphic pictures come into being. They show patterns, symmetries and asymmetries created by humans and the nature.

After being rescued as a young fox cub, Todd the 11-month-old fox is getting along just fine as a domestic pet together with his owner, Emma D’Sylva. Todd goes for walks on a leash, plays with D’Sylva’s two other dogs, and wags his tail when it’s time to eat. He was rescued by D’Sylva when he was 4 months old from other owners who could no longer care for him.

“Tilt-shift photography” refers to the use of camera movements on small- and medium-format cameras, and sometimes specifically refers to the use of tilt for selective focus, often for simulating a miniature scene. Sometimes the term is used when the shallow depth of field is simulated with digital post processing; the name may derive from the tilt-shift lens normally required when the effect is produced optically.