January 22, 2017; Atlanta, GA, USA; Atlanta Falcons cheerleaders take a picture in the confetti after the game against the Green Bay Packers in the 2017 NFC Championship Game at the Georgia Dome. Atlanta defeated Green Bay 44-21. (Photo by Jason Getz/USA TODAY Sports)

A picture taken with slow shutter speed shows members of the group “The Kattfiller” from Attendorn taking part during the Norddeutsche Championship carnivalesque dance sport in Kassel (Hessen), Germany, 28 February 2016. About 1,100 qualified dancers show in different disciplines their skills. (Photo by Swen Pfoertner/EPA)

Los Angeles Rams cheerleaders celebrate on the field with the confetti after the Rams 20-17 victory over the San Francisco 49ers in a NFC championship football game at SoFi Stadium in Inglewood on Sunday, January 30, 2022. (Photo by Gary A. Vasquez/USA TODAY Sports)

Ohio State drum major performs during the NCAA football game between the Ohio State Buckeyes and Notre Dame Fighting Irish at Ohio Stadium in Columbus on September 3, 2022. (Photo by Adam Cairns/USA TODAY Sports)

These illustrations are the work of an artist who has put a sinister spin on iconic animations in order to highlight the disturbing realities of domestic abuse. No Violence Against Women is a project by Italian artist and activist AleXsandro Palombo, 40, who is based in Milan. It forces its audience to confront the plight some women go through under the pretence of a happy relationship or family. (Photo by aleXsandro Palombo)

An artwork entitled “Are you still mad at me?” by John Isaacs is displayed at the Death: A Self-portrait exhibition at the Wellcome Collection on November 14, 2012 in London, England. The exhibition showcases 300 works from a unique collection by Richard Harris, a former antique print dealer from Chicago, devoted to the iconography of death. The display highlights art works, historical artifacts, anatomical illustrations and ephemera from around the world and opens on November 15, 2012 until February 24, 2013. (Photo by Peter Macdiarmid)

Volunteers stand and read the morning newspaper while “waiting for the bus” at Henley Beach on January 8, 2012 in Adelaide, Australia. Surrealist artist, Andrew Baines recruited 100 volunteers for this human installation, meant to illustrate corporate workers enjoying nature rather than waiting in a long queue for a trip to work. (Photo by Morne de Klerk/Getty Images)