Photographer Jim Zielinski from Florida, USA, captured this hilarious moment when a squirrel spied a tasty treat inside a novelty horse's head bird feeder in his back garden. (Photo by Jim Zielinski/Caters News)

Alessandra Ambrosio arrives for the screening of “The Dead Don't Die” and the Opening Ceremony of the 72nd annual Cannes Film Festival in Cannes, France, 14 May 2019. Presented in competition, the movie opens the festival which runs from 14 to 25 May. (Photo by Ian Langsdon/EPA/EFE)

Apollo 9 Command/Service Modules (CSM) nicknamed “Gumdrop” and Lunar Module (LM), nicknamed “Spider” are shown docked together as Command Module pilot David R. Scott stands in the open hatch. Astronaut Russell L. Schweickart, Lunar Module pilot, took this photograph of Scott during his EVA as he stood on the porch outside the Lunar Module. Apollo 9 was an Earth orbital mission designed to test docking procedures between the CSM and LM as well as test fly the Lunar Module in the relative safe confines of Earth orbit. (Photo by NASA)

A Chinese woman wears a protective mask as she shops in a market on February 6, 2020 in Beijing, China. The number of cases of a deadly new coronavirus rose to more than 28000 in mainland China Thursday, days after the World Health Organization (WHO) declared the outbreak a global public health emergency. (Photo by Kevin Frayer/Getty Images)

Shoppers walk past crocodiles for sale at a market in Bata on February 3, 2015. Markets in Equatorial Guinea sell a variety of animals including pangolins, monkeys and crocodiles as food. (Photo by Carl De Souza/AFP Photo)

A couple ride a motorcycle along a street during snow in Altay, Xinjiang Uighur Autonomous Region, China, November 8, 2015. Picture taken November 8, 2015. (Photo by Reuters/Stringer)

A retired man (L) looks toward two girls wearing miniskirts, July 13, 1969 in Nice, France. (Photo by AFP Photo)

The “Paolo Di Paolo: Lost World” exhibition presents more than 250 largely unseen images from the photographer’s archive. Di Paolo chronicled life in his country as an economic boom followed the destruction of the second world war. Although those were the years of la dolce vita he was an anti-paparazzo – he shunned the salacious and respected his subjects. The exhibition is at MAXXI, the National Museum of 21st Century Arts in Rome until 30 June. Here: Viareggio in 1959. (Photo by Paolo Di Paolo/National Museum of 21st Century Arts)