Rihanna poses as she attends the photocall for the movie “Battleship” at the Corinthia Hotel on March 28, 2012 in London, England. (Photo by Dave M. Benett/Getty Images)

A cosplay enthusiast waits at the premiere of the movie “Warcraft” in Hollywood, California U.S., June 6, 2016. (Photo by Mario Anzuoni/Reuters)

Artist Jesús Prudencio loves cars and movies, if you couldn’t tell by his beautiful series of movie posters, titled Cars and Films, that focuses on an iconic automobile from each movie. From Back to the Future to Pulp Fiction, The Shining to The Italian Job, Prudencio’s colorfully minimal illustrations are a delight for any fan of cars and/or films.

Two dancers pass each other as they compete in a heat during the All Scotland Championships in Irish Dancing at the Royal Concert Hall in Glasgow, Scotland. The championships attract over 2000 dancers from more than 300 dance schools, from countires such as North America, South Africa, Australia and Russia. (Photo by David Moir/Reuters)

A woman uses a phone to take a “selfie” photo with cat as she stands along the barbed wire fence demarcating the “blue line” – drawn by the United Nations to mark Israel's withdrawal from southern Lebanon in 2000 – while an Israeli Merkava battle tank is deployed nearby, at a position along the border near the village of Kfar Shuba in southern Lebanon on June 11, 2023. (Photo by Mahmoud Zayyat/AFP Photo)

An RAF Eurofighter EF-2000 Typhoon takes off on March 22, 2011 at the Gioia Del Colle airbase in Italy. After last week's UN resolution which voted for a non-fly zone to be enforced over Libya, sorties have continued to be flown by forces representing the UN coalition from Italian military bases. More than 110 missiles have been fired on pro-Gaddafi strongholds in attempt to knock out the Libyan leaders defences.

Model Heidi Klum in front of Concorde jet after arriving for Victoria's Secret fashion show at Cannes Film Festival on May 16, 2000. (Photo by Marion Curtis/DMI/The LIFE Picture Collection/Getty Images)

A collaboration between creative director Anna Burns and the photographer Thomas Brown. Through the use of various mediums the pair have curated an exhibition that explores the masculine world of B-Movies and juxtaposed it with the traditional British landscape. Using the themes of said movies – girls, guns and explosives – and twisting it against a very British backdrop these two challenge not only the premise of each subject but also the use of their chosen medias. The duo created a wall of umbrellas displaying elements of the classic B-Movie and located them within three landscapes – one being the forest, then London’s docklands and finally the grounds of Suffolk Manor house.