Guadalajara-based artist Gonzalo Lebrija created a public art installation in the parking lot (1430 Delgany Street, Denver, CO 80202) across from the Museum of Contemporary Art Denver (MCA Denver) in the summer of 2010. The installation, entitled History of Suspended Time: Monument for the Impossible, was developed as a dual collaboration with MCA Denver's museum-wide exhibition, Energy Effects: Art & Artifacts from the Landscape of Glorious Excess, as well as Denver's inaugural 2010 Biennial of the Americas, an international event that celebrated the culture, ideas and people of the Western Hemisphere.

Here is an awesome collection passport photos of iconic figures in the past

Japan's electronics equipment maker MuRata Manufacturing Co., Ltd's showcased their bicycle-riding robot “MuRata Boy” during the CEATEC Japan 2006 exhibition on October 3, 2006 in Chiba, Japan. The “MuRata Boy” robot can ride up a 25-degree slope, stop without losing its balance and make an S-curve without falling. (Photo by Koichi Kamoshida/Getty Images)

Viagra Boys – Ain't Nice. Viagra Boys are a Swedish post-punk band from Stockholm. In 2018, they released their first album, Street Worms. Nils Hansson, a journalist at the newspaper Dagens Nyheter described the band favorably, praising their musical style, as well as their use of black humor and satire, and rated the album a five out of five. In 2019, the band won the Independent Music Companies Association (IMPALA) Album of the Year Award for Street Worms.

A young illustrator has imagined a world where our most iconic world leaders wouldnt look out of place grabbing a low fat chai latte and a wheat free bagel from an edgy Dalston cafe. In a new series called Hipstory Amti Shimoni, a designer and illustrator from Israel has created a collection of pictures imagining our former global leaders as colourful, cutting edge, urban, hipsters. Here: Hardcore Punk Vladimir Lenin. (Photo by Amti Shimoni/Caters News)

“Natural History” is a series of completely candid single exposure images that merge the living and the dead to create allegorical narratives of our troubled co-existence with nature. Ghost-like reflections of modern visitors viewing wildlife dioramas are juxtaposed against the antique taxidermied subjects housed behind thick glass, their faces molded into permanent expressions of fear, aggression or fleeting passivity. After decades of over-hunting, climate change, poaching and destruction of habitat, many of these long dead diorama specimens now represent endangered or completely extinct species”. – Traer Scott. (Photo by Traer Scott)

U.S. Corporal Stanley Suski, left, and Miss Tamako, a Geisha girl, whirl a bit of Jitterbug, in a bar, in Tokyo, Japan, on October 1, 1945. (Photo by AP Photo)

Recruits who earned a place in the Motivation Platoon struggle through water and muck on their way to becoming a Marine or going into some other line of work, October 7, 1971. (Photo by Eddie Adams/AP Photo)