A fire engine drives away from flames on the ridge, east of Silverwood Lake in Crestline, Calif., Sunday, August 7, 2016. (Photo by Terry Peirson/The Press-Enterprise via AP Photo)
These romantic sepia shots show lovers enjoying quiet, unguarded moments together – but the subjects are not besotted couples; they are fearsome big cats. Freelance snapper Goran Anastasovski has devoted more than 10 years of his life to photographing big cats and other animals. The 46-year-old from Macedonia aims to emphasize their human qualities in his photographs. (Photo by Goran Anastasovski/Caters News)
Shipping containers sit idle at the ports of Los Angeles and Long Beach, California in this aerial photo taken February 6, 2015. The loading and unloading of cargo freighters has been suspended at all 29 U.S. West Coast ports this weekend because of chronic slowdowns on the docks that shippers and terminal operators have blamed on the dockworkers' union, the companies said Friday. (Photo by Bob Riha, Jr./Reuters)
Racegoers attend day one of The Randox Health Grand National Festival at Aintree Racecourse on April 12, 2018 in Liverpool, England. (Photo by News Group Newspapers Ltd)
Scottish photographer George Logan and retoucher Tony Swinney let’s you imagine what it would be like if your cat wasn’t just a purring ball of fur. As a part of “Big Cat, Small Cat” ad campaign for Whiskas, they created a series of funny images showing tiny domestic cats chasing after antelopes, zebras, elephants and doing other “big cat” stuff.
Darts fan Nigel Panton in fancy dress ahead Day Eight of the William Hill PDC World Darts Championships at Alexandra Palace on December 28, 2014 in London, England. (Photo by Jordan Mansfield/Getty Images)
A bodyboarder rides a wave during a big- wave surfing session at Praia do Norte in Nazare on November 19, 2016. (Photo by Patricia de Melo Moreira/AFP Photo)
Eyes as Big as Plates is a whimsical series by Finnish photographer Riitta Ikonen and Norwegian photographer Karoline Hjorth that features senior citizens donning organic materials like twigs and grass. Ikonen says that the collaborative project originally began as "a play on characters and protagonists from Norwegian folklore" but has since evolved into a collection of images exploring "mental landscapes" that reflect a return of body to nature with the use of scavenged materials.