Brad Says “Brick sculpture can be dated back to ancient Babylon but remains a fresh and interesting enhancement to any building, wall or environment. The brick medium has all the same characteristics of durability and low maintenance as a brick building, blends well in settings where other brick construction is present, looks good with landscaping and has a familiarity which is comforting to people. Brick sculpture adds intrigue and interest to a commonly understood material as viewers try to figure out the techniques by which it was created.”

Tip Toland is a sculptor and instructor living in the Seattle, Washington area. Her current focus is figurative ceramic sculpture. Tip is represented by the Nancy Margolis Gallery in New York City.

Photo: “Letter to God”, 2011. Stoneware, paint, chalk pastel, hair. (Photo by Tip Toland/Marie-Andrée Côté)

There are many ways to interpret the creations of Yoshitoshi Kanemaki, whose works usually involve sculptures of people where two or more characters have merged into a single being. Possibly, Yoshitoshi Kanemaki is trying to express through his sculptures that everyone’s soul is multifaceted. Good emotions are mixed with the bad, love is mixed with hate, contempt with admiration. How often do you hear that a person loves someone deeply, while doing completely horrendous things, unable to see that he or she is destroying their object of love? Nevertheless, we should be thankful to the nature for all the different emotions that we are able to feel. Unlike animals, who only show simple forms of emotions, such as anger, happiness, and a few others, human soul is much deeper, allowing us to feel a full plethora of emotions. (Photo by Yoshitoshi Kanemaki)

Miles Van Rensselaer using everything from glass and crystal to bronze and iron, from gold and silver to tooth and bone, from steel, copper and lead to wood, clay, feather and hair. He has been fortunate enough to work – and humbled by working – with and among talented artists from all over the world. His work is his homage to these people and their vanishing ways of life, his translation of their technique, imagery, idea of “primitive” art into modern Western materials.

People in boats approach “Die Badende” (“The Bather”), a giant sculpture showing a woman's head and knees as if she were resting in the Binnenalster lake on August 3, 2011 in Hamburg, Germany. The sculpture, which is made of styrofoam and steel and measures 4 meters high and 30 meters long, is a project by artist Oliver Voss and will be on display for the next ten days. (Photo by Sean Gallup/Getty Images)

Artist Jason deCaires Taylor’s Museo Atlantico, off Lanzarote, is peopled with concrete casts of refugees and people taking selfies. Drowned world: welcome to Europe’s first undersea sculpture museum. Here: The Raft of Lampedusa, Taylor’s modern-day concrete echo of Géricault’s The Raft of the Medusa. The work has particular significance given the huge movement of refugees across the sea to Europe – and the frequent fatalities that result. (Photo by Jason deCaires Taylor)

Johnson Cheung-shing Tsang is a Hong Kong sculptor specializing in ceramics, stainless steel sculpture and public artworks. Tsang’s works mostly employ realist sculptural techniques with a surrealist imagination, integrating the two elements, human beings and objects, into creative themes.