Artist Jesús Prudencio loves cars and movies, if you couldn’t tell by his beautiful series of movie posters, titled Cars and Films, that focuses on an iconic automobile from each movie. From Back to the Future to Pulp Fiction, The Shining to The Italian Job, Prudencio’s colorfully minimal illustrations are a delight for any fan of cars and/or films.

A demonstrator kicks a riot police vehicle during an unauthorized march called by the Chilean student federations to protest against government's education reform, in Santiago, Chile July 5, 2016. (Photo by Ivan Alvarado/Reuters)

A participant in the Downtown Parade kicks off the Houston Livestock Show and Rodeo in Houston, Texas, US on February 25, 2023. (Photo by Reginald Mathalone/NurPhoto/Rex Features/Shutterstock)

In this Saturday, March 3, 2018, photo, a contestant gets ready to throw a hatchet at a wooden bull's-eye at the Kick Axe Throwing venue in the Brooklyn borough of New York. Kick Axe Throwing is the first bar in New York City to pick up on a nationwide trend of ax throwing, a growing sport that some enthusiasts hope will take off the way bowling did in the last century. (Photo by Mary Altaffer/AP Photo)

Fifty Shades Darker lingerie by Coco de Mer – capturing the “inner goddess” of Anastasia Steele – is launched following record-breaking release of movie’s new trailer. Official collection developed in conjunction with E.L. James to coincide with the new Fifty Shades Darker movie. They are the first official Fifty Shades Darker products to be released ahead of the new movie whose trailer was watched 114 million times in first 24 hours, breaking Star Wars: The Force Awakens previous record. (Photo by Rankin/Coco de Mer/Rex Shutterstock)

A cosplay enthusiast waits at the premiere of the movie “Warcraft” in Hollywood, California U.S., June 6, 2016. (Photo by Mario Anzuoni/Reuters)

Rihanna poses as she attends the photocall for the movie “Battleship” at the Corinthia Hotel on March 28, 2012 in London, England. (Photo by Dave M. Benett/Getty Images)

A collaboration between creative director Anna Burns and the photographer Thomas Brown. Through the use of various mediums the pair have curated an exhibition that explores the masculine world of B-Movies and juxtaposed it with the traditional British landscape. Using the themes of said movies – girls, guns and explosives – and twisting it against a very British backdrop these two challenge not only the premise of each subject but also the use of their chosen medias. The duo created a wall of umbrellas displaying elements of the classic B-Movie and located them within three landscapes – one being the forest, then London’s docklands and finally the grounds of Suffolk Manor house.