Visitors look at the work titled “In Bed”, 2005 by Australian-born artist Ron Mueck at Triennale di Milano on January 09, 2024 in Milan, Italy. (Photo by Giuseppe Cottini/Getty Images)

A comedic photo of a cheetah appearing to find something hilarious by Dutton Robert for the Comedy Wildlife Photo Awards 2016, South Africa, April, 2012. (Photo by Dutton Robert/Barcroft Images/Comedy Wildlife Photo Awards)

1974: American boxer Muhammad Ali, formerly Cassius Clay, strikes an aggressive pose at a press conference on November 29, 1974. (Photo by Harry Dempster/Express/Getty Images); American actor Will Smith at the Royal Premiere of the film Ali in London on December 11, 2001. Smith starred as Muhammad Ali in the film. (Photo by Dave Hogan/Getty Images)

Scarlett Johansson, Florence Pug, Rachel Weisz and David Harbour star in the action spy thriller “Black Widow”. Pictured: English actress Florence Pugh as Yelena. (Photo by Splash News and Pictures)

Allyson Anne Lamb is a Brooklyn based fine artist primarily working in photography. Her work uses the body to explore the complexity of human emotions and the continuous invisible transformations we experience, revealing them as monstrosities or fantastical beings. Through the assembling of body parts, bright colors and fictional spaces that exist in Lamb's magical realm where sexual anxiety, female identity and altered sensorial perceptions are explored, Lamb invites us to participate in an altered state of consciousness. We step in to quaint fragmented realities where we are welcomed to engage in lucid dreaming populated by colorful mutations.

A full size working replica of the pink limousine used by Parker to chauffeur Lady Penelope in Gerry Anderson's television series “Thunderbirds”, unveiled at Woburn Abbey. United Kingdom, 27th May 1968. (Photo by Jim Gray/Keystone/Getty Images)

“Over three years I photographed fans outside different concerts. I was fascinated by the different tribes of people that attended them, and how people emulated celebrity to form their identity. As I photographed the project I began to see how the concerts became events for people to come together with surrogate “families”, a chance to relive their youth or try and be part of a scene that happened before they were born” – James Mollison.

Photo: Madonna fans. (Photo by James Mollison)