An injured fan is helped by a riot policeman during clashes between Red Star Belgrade and Partizan Belgrade fans in the stadium before the teams' Serbian Superliga soccer match in Belgrade, April 25, 2015. Serbian league leaders Partizan Belgrade held champions and bitter city foes Red Star to a 0-0 draw in a derby match marred by bad crowd trouble before kickoff on Saturday. The start was delayed for 45 minutes after home Red Star supporters pelted riot police with seats and flares, forcing officers to retreat from the north tier that houses the club's diehard fans. (Photo by Marko Djurica/Reuters)

People dressed as a zombie taking part in Zombie Parade on a streets of Belgrade during a zombie walk in Belgrade, on October 26, 2014. The zombie walk is part of the events of upcoming Serbian film fiction festival. (Photo by Oksana Toskic/SIPA Press)

Fans dressed in Spider-Man outfits gather at a promotional event for the forthcoming “Spider-Man: Homecoming” movie at the Art Science Museum in Singapore on June 7, 2017. The movie will be shown in cinemas around the world from July 5 onwards. (Photo by Toh Ting Wei/AFP Photo)

A cosplay enthusiast waits at the premiere of the movie “Warcraft” in Hollywood, California U.S., June 6, 2016. (Photo by Mario Anzuoni/Reuters)

Rihanna poses as she attends the photocall for the movie “Battleship” at the Corinthia Hotel on March 28, 2012 in London, England. (Photo by Dave M. Benett/Getty Images)

Artist Jesús Prudencio loves cars and movies, if you couldn’t tell by his beautiful series of movie posters, titled Cars and Films, that focuses on an iconic automobile from each movie. From Back to the Future to Pulp Fiction, The Shining to The Italian Job, Prudencio’s colorfully minimal illustrations are a delight for any fan of cars and/or films.

A collaboration between creative director Anna Burns and the photographer Thomas Brown. Through the use of various mediums the pair have curated an exhibition that explores the masculine world of B-Movies and juxtaposed it with the traditional British landscape. Using the themes of said movies – girls, guns and explosives – and twisting it against a very British backdrop these two challenge not only the premise of each subject but also the use of their chosen medias. The duo created a wall of umbrellas displaying elements of the classic B-Movie and located them within three landscapes – one being the forest, then London’s docklands and finally the grounds of Suffolk Manor house.