Born 29 December 1990 in Cambridge, UK. Lives and works between London and Essex. Spending the first 6 months of 2013 living in America, currently residing in New York. (Photo by Jack Davison)
This man patrols the main front beside the access point to Lobanovskyi Dynamo Stadium, an area where the barricades are weak. For months now, he has slept very little. He is a carpenter.
In this March 18, 2015 photo, Andrea, better known as Loira, which is the Portuguese word for “blonde”, poses for a portrait in an open-air crack cocaine market, known as a “cracolandia” or crackland where users can buy crack, and smoke it in plain sight, day or night, in Rio de Janeiro, Brazil. Andrea says she is married and has a home, but she keeps returning to crackland to feed her addiction. (Photo by Felipe Dana/AP Photo)
Documentary photographer William E. Crawford was one of the first Western photographers to gain access to North Vietnam after the war ended. He has photographed the capital, Hanoi, at regular intervals since 1985, concentrating on the colonial and indigenous architecture, urban details, landscapes and intimate portraits of people in their home settings, street scenes and the city’s surrounding countryside. Here: 54 Hàng Ga (Chicken Street), 1994. (Photo by William E. Crawford from the book “Hanoi Streets 1985-2015: In the Years of Forgetting”)
Pro-government fighters stand next to a tank destroyed during recent fighting in Yemen's southwestern city of Taiz March 14, 2016. (Photo by Anees Mahyoub/Reuters)
The classical ballet company “Ardentia” performs in the street of Mexico City on traffic lights, in an effort to highlight the city's fine arts in public spaces in Mexico, September 8, 2018. (Photo by Carlos Jasso/Reuters)
This photo taken on March 29, 2017 shows a young woman offering shots of liquer at a dance bar in Walking Street in Pattaya. Two hours east of Bangkok, Pattaya's bawdy reputation hails from the Vietnam War era when US GIs partied in their downtime. (Photo by Roberto Schmidt/AFP Photo)