Women look at models standing in the David Hart presentation during Men's Fashion Week, in New York, July 13, 2015. The four-day event by the Council of Fashion Designers of America is the New York debut of Fashion Week: Men's. (Photo by Lucas Jackson/Reuters)

People stop to look at the thousands of so-called “love locks”, or “love padlocks”, that hang from a fence across the Hohenzollernbruecke bridge on September 13, 2011 in Cologne, Germany. Love locks are a growing phenomenon in cities across Europe and are meant by the couples who leave them behind as a symbol of their powerful and undying love for one another. (Photo by Dennis Grombkowski/Getty Images)

Philippe Marquis of Canada during the FIS Freestyle Ski World Cup Dual Moguls on December 20, 2011 in Meribel, France. (Photo by Alain Grosclaude/Agence Zoom/Getty Images)

Jirka Väätäinen is a Finnish artist from Melbourne and he recently reimagined some of Disney's most famous princes. He took these iconic characters and made them look like real people.

Photographer Anna Radchenko explores this theme in her project “Reverse Side of a Mother’s Love,” where mother love becomes more than just mother-daughter relationship and causes some strange feelings. She visualizes, sadly, typical psychological problems in parent-child relationship: unrealized wishes of the parents, excessive strictness, total control and overprotection.

“A photo series representing many cultures by illustrating romance in the LGBTQ community. “All Love Is Equal” is a campaign that I envision being seen on a global scale to raise awareness and build compassion. I, along with my producer/assistant, would like to travel to different countries throughout the world to create photos of LGBT members in love within culturally diverse settings”. (Photo and caption by Braden Summers)

A participant runs through foam during the Love Foam Run race in Hsinchu, Taiwan May 29, 2016. (Photo by Tyrone Siu/Reuters)

At the end of a six-year relationship, photographer Laura Stevens needed to find a creative, external outlet for all the complicated feelings she was processing internally. “Another November” is the end product, a photo series that aims to mirror those agonizing emotions that Stevens felt at the time of the breakup – and the subsequent healing process. Here: “Jessica” is photographed at her Paris home in this scene staged by photographer Laura Stevens. (Photo by Laura Stevens)