Mikhail Kalashnikov, the father of the world's most popular assault rifle, is handed an AK-74 November 23, 2002 in Izhevsk,1000 East km. from Moscow. November 23 marked the 55th anniversary of the release of the first Kalashnikov gun. According to the Moscow-based Center for Analysis of Strategic and Technologies some 70 million to 100 million Kalashnikovs have been built worldwide since 1947, compared about 7 million to Kalashnikov's Western rival the M-16 assault rifles. (Photo by Oleg Nikishin/Getty Images)

Participants play with water guns during the Sinchon Water Gun Festival in Seoul, South Korea, July 9, 2016. (Photo by Kim Hong-Ji/Reuters)

The Bratz Rock Angels are displayed at the Dream Toys 2005 Pre-Christmas Expo on October 5, 2005 in London. (Photo by Daniel Berehulak/Getty Images)

Tempering the violence of modern weaponry with charmingly rendered creatures, artist Xiau-Fong Wee captures a dark humor in her quirky drawings. While some of the weapons appear terrifyingly realistic, others such as in the ray gun wielding bunny portrait, speaks more to the fantastical worlds of science fiction. The anthropomorphic dispositions of the spectacle-wearing creatures also range in merry reverie to stern seriousness, adding to the delightful nature of these well-executed portraits. View more of the drawings below.

A man eats in front of his Basset Hounds during the first day of the Crufts Dog Show in Birmingham, Britain March 9, 2017. (Photo by Darren Staples/Reuters)

American model Bella Hadid comes out of her hotel on September 25, 2018 in Paris, France. (Photo by Pierre Suu/Getty Images)

“Guns have a massive amount of power associated with them. They are designed to kill. We decided to photograph portraits of them in a similar way you might photograph a powerful person. Like powerful people, pistols have this “perfect” quality that we wanted to explore. As we started shooting them, we could see flaws in their design. Metal burring around the barrels, scratches in the metal. This imperfection and detail were very interesting to us; connecting us back to these images as portraits”. – Peter Andrew. (Photo by Peter Andrew/Simon Duffy/Derek Blais)