Models pose alongside the Kia SP SUV Concept car after its launch at India Auto Show 2018 in Greater Noida, February 7, 2018. The biennial automobile exhibition opens to public Friday and runs till Feb. 14. (Photo by Saumya Khandelwal/Reuters)

A model performs on the Toyota FV2 concept car during the 2014 Beijing International Automotive Exhibition at China International Exhibition Center on April 21, 2014 in Beijing, China. More than 2,000 automotive enterprises from 14 countries and regions participated in the 2014 Beijing International Automotive Exhibition from April 20 to April 29. (Photo by Feng Li/Getty Images)

The rear of the Chevorlet Chaparral 2X Vision Gran Turismo concept car at its world debut at the Los Angeles Auto Show in California, November 19, 2014. The annual event is open to the public beginning November 21. (Photo by Lucy Nicholson/Reuters)

The 2017 Genesis New York Concept is seen during the media preview of the 2016 New York International Auto Show in Manhattan, New York on March 23, 2016. (Photo by Eduardo Munoz/Reuters)

Men fix a pinata representing U.S. President-elect Donald Trump as a devil outside a house before it is set on fire at the traditional Burning of the Devil festival, ahead of Christmas in Guatemala City, Guatemala, December 7, 2016. (Photo by Luis Echeverria/Reuters)

A Citroen Ami One concept car sits on display during the media day of the Auto Shanghai 2019 motor show in Shanghai, China, 16 April 2019. The 18th Shanghai international automobile industry exhibition runs from 16 to 25 April. (Photo by Wu Hong/EPA/EFE)

A transparent van is displayed by a vendor for safety devices at the IAA Auto Show in Frankfurt, Germany, Tuesday, September 10, 2019. (Photo by Michael Probst/AP Photo)

At first glance, Korean artist Kyu-Hak Lee's mixed media mosaics come off as fairly straightforward recreations of iconic works of art. But upon closer inspection, there's more depth to Lee's works than expected. Using a specific technique – rolling strips of magazine and newspaper pages around small bits of wood – Lee replicates brushstrokes, patterns, and colors to create a commentary on consumerism and worth.