Children play at a makeshift camp for migrants and refugees at the Greek-Macedonian border near the village of Idomeni, Greece, March 29, 2016. (Photo by Marko Djurica/Reuters)

Palestinian girls take part in a ballet dancing course, run by the Al-Qattan Center for Children, in Gaza City November 25, 2015. (Photo by Suhaib Salem/Reuters)

English actress and model Elizabeth Hurley launches Harrods beach and children's wear at the Knightsbridge store in London, England on December 6, 2006. (Photo by Daniel Deme/WENN)

Afghan children enjoy their time on Nadir Khan hill during the first day of Eid al-Fitr in Kabul, Afghanistan, Friday, April 21, 2023. (Photo by Ebrahim Noroozi/AP Photo)

A woman along with her children carry hay to feed cattle in Sanjar Chang village, Mirpurkhas district in Sindh province on April 9, 2023. (Photo by Asif Hassan/AFP Photo)

In this photograph taken on August 9, 2023, children make their way along a street during heavy downpour in Kilinochchi. (Photo by Ishara S. Kodikara/AFP Photo)

Australian artist Polixeni Papapetrou trends the line between fantasy/theatre, mythology/reality, archetype/play, male/female, child/adult and animal/human. As with all her work the series The Dreamkeepers tells a story that includes her autobiographical relationship with her children, but it also says a lot more about the condition of childhood - its place in our culture and how we react to images of children in photography.

Erik Ravelo goes straight for the jugular in his series, Los Intocables (The Untouchables). Depicting children in one the most vulnerable poses of all time, Ravelo attempts to speak for those who cannot properly articulate their pain. The sick, twisted games that adults play can come at a cost to future generations and Ravelo’s series gives a voice to those children who get caught in the crossfire.