William Gibson is not one of the authors that spits out novels like a machine – in his long and fruitful career he has only published 11 novels andof short stories and articles in the tens each. Still his impact on modern literature was huge – the “noir prophet” of the cyberpunk subgenre (that he was one of the pioneers of) has predicted the rise of reality television, virtual reality, video games and the internet. He is a Hugo and Nebula award winning science fiction writer, with a special eye for what the future might bring.

India’s classic Ambassador taxis and juddery auto rickshaws are iconic sights in the cities of the subcontinent. In Mumbai, one project has been using them as canvases for Indian graphic designers, giving them the opportunity to design new interiors for the vehicles. (Photo by Taxi Fabric/The Guardian)

Due to the influence of Sci-Fi movies, many of us have an obsession with giant robots. How cool would it be to ride a gigantic robotic dinosaur or elephant? It would be even cooler to control one! Regretfully, the modern technologies are not yet sophisticated enough to fulfill this dream. Pierre Orefice and François Delarozière, however, came very close. These two artists have made it their goal to turn Nantes, France, into a hot tourist destination spot for people who love robots. In their project of Machines de l'île in Nantes, they have created a whole park of robotic monstrosities, ranging from a giant 3 story high elephant to a 2 meter long centipede crawling on a rail track.

Created by artist and unassuming local celebrity, Keith Jennings, the first tree spirit arrived on St. Simons Island in 1982. The old story goes that Keith negotiated his way out of a bar tab, hence, a tree priestess was born behind Murphy’s Tavern, on a blurry Saturday morning. In his own words, however, Keith states that his first tree spirit was created in the back yard of a place called, “The Animal Farm”. Either way, Keith Jennings has been known to cut the rug around here, no matter how you slice it.

The characters fighting for Westeros in Game of Thrones are fighting mostly for CGI backdrops. Like many others TV series and movies, visual effects is a huge part of the production process as it handles details both great and small. A great credit to Game of Thrones is that the story is so good that we forget about the effects, and another great credit goes to the VFX team because their work is seamless. If you want to see the seams, you have to get a visual breakdown of how the shots are put together.

My name is Jakub and I’m a painter, illustrator & concept artist who lives and work in Poland. My speciality is dark fantasy, character design, concept art and portrait. Since several years I work and paint digitally, but I never gave up traditional drawing and painting. For me the most important in my work, is create unique atmosphere and tell some kind of story through my creations.