A Cossack slashes a watermelon with a sabre during a sabre-cutting competition in the village of Novosvetlovsky, Rostov region, on August 27, 2023. (Photo by AFP Photo/Stringer)

People perform during the Archstoyanie 2023 festival in the village of Nikola-Lenivets, Kaluga region, Russia on July 29, 2023. (Photo by Maxim Shemetov/Reuters)

Devotees of the small farming village of Bibiclat celebrate the Feast of Saint John the Baptist while covered in banana leaves and mud on June 24, 2025 in Aliaga, Philippines. Known as the “Taong Putik” (mud people), the ritual happens yearly in this small farming village as their own version of expressing their faith and celebrating the feast of Saint John the Baptist whom the survivors of the Japanese occupation in 1944 in their area prayed to for rain to save their fellow villagers. (Photo by Ezra Acayan/Getty Images)

In this Wednesday, May 23, 2012 photograph, a young deer and a cat share a moment in Feench village near Jodhpur, Rajasthan state, India. (Photo by AP Photo)

A hiker walks in the Zillertal Alps during an autumn day near the village of Ginzling, Austria, October 15, 2019. (Photo by Lisi Niesner/Reuters)

Leaves and forest foliage claim abandoned motors at makeshift car graveyards. German photographer Dieter Klein travels the world to find vintage automobiles left to rust in leafy forests and fields. Here: Seemingly camouflaged cars are stacked on top of each other causing them to blend in with the landscape, in 2013, France. (Photo by Dieter Klein/Barcroft Media)

Photographer Vincent Jansen travels throughout Europe, visiting beautiful abandoned places. He explores churches, factories, sanatoriums, mortuaries, villas and theaters, all quietly waiting for renovation or demolition. His photos show a unique perspective on what is happening behind the “no trespassing” signs: where nature is slowly gaining ground and the desolation, loneliness and decay leave their stunning traces. Photo: This piano was located in one of many rooms of a huge chateau in Poland. (Photo by Vincent Jansen)

Vardzia is a cave monastery site in southern Georgia, excavated from the slopes of the Erusheti Mountain on the left bank of the Mtkvari River, thirty kilometres from Aspindza. The main period of construction was the second half of the twelfth century. The caves stretch along the cliff for some five hundred metres and in up to nineteen tiers. The Church of the Dormition, dating to the 1180s during the golden age of Tamar and Rustaveli, has an important series of wall paintings. The site was largely abandoned after the Ottoman takeover in the sixteenth century. Now part of a state heritage reserve, the extended area of Vardzia-Khertvisi has been submitted for future inscription on the UNESCO World Heritage List