Ray Collins is a colorblind Australian coal miner who is in love with the ocean. He spends his off days photographing it. Collins says he enjoys capturing the moment before the moment, the anticipation, not knowing how the end of the wave's journey will play out. (Photo by Ray Collins)

This latest photo series by Anelia Loubser, a photographer in Cape Town, reminds us that even the simplest change in perspective can change how things look drastically. By selectively cropping and flipping the dark portraits in her “Alienation” series, Loubser makes basic human portraits look like creepy alien close-ups.

Australian artist Polixeni Papapetrou trends the line between fantasy/theatre, mythology/reality, archetype/play, male/female, child/adult and animal/human. As with all her work the series The Dreamkeepers tells a story that includes her autobiographical relationship with her children, but it also says a lot more about the condition of childhood - its place in our culture and how we react to images of children in photography.

Over the years a large population of grey herons have made an unlikely home in urban Amsterdam. Julie Hrudova documents how the birds integrate into city life. Here: Hundreds of herons come to the city during winter to find food and shelter. (Photo by by Julie Hrudova/The Guardian)

62-year-old Count Scarpa, a quirky millionaire from Sao Paolo, Brazil, announced he has decided to do like the pharaohs and entomb his $500,000 Bentley Continental Flying Spur in his back garden, on Monday, via Facebook.

When the city is in need, these superhero cats will do everything they can to help (i.e. look on indifferently then passive-aggressively poop on the bed).

A Canadian fashion model Coco Rocha By Craig McDean. Vogue US (May 2008). Photographer: Craig McDean; Fashion Editor: Grace Coddington; Editorial: Daring Do; Model: Coco Rocha; Hair: Julien d’YS; Makeup: Diane Kendall. (Photo by Craig McDean/Vogue)