Ginger Stanley performs a grand jete during her solo underwater ballet at Silver Springs, Florida. (Photo by Bruce Mozert/Three Lions/Getty Images). Circa 1956

A model prepares backstage ahead of the Amber & Thomas show during Rosemount Australian Fashion Week Spring/Summer 2011/12 at Overseas Passenger Terminal on May 3, 2011 in Sydney, Australia. (Photo by Ryan Pierse/Getty Images)

Inspired by a walk in the park and spring flowers, Toronto based wedding photographer Daryl Banks seeks to “simulate the intricate beauty of macro flower photography with crinolines, legs and hosiery.” which visually represents of the feelings of the artist about being transgender.

General view of the stands in the Atrium during the Big Fashion Wardrobe Spring/Summer fashion and beauty event at Westfield London shopping centre on March 29, 2011 in London, United Kingdom.

A young girl navigates her way around Hampton Court maze in the spring sunshine on May 2, 2009 in London, England. The Hampton Court maze is one of the most famous hedge mazes in the world and was planted between 1689 and 1695 by George London and Henry Wise. (Photo by Dan Kitwood/Getty Images)

The Kremlin's Spasskaya (Saviour) Tower, covered by scaffolding, is seen behind the mausoleum of Soviet state founder Vladimir Lenin at the Red Square in Moscow, December 23, 2014. The restoration works will last until the spring of 2015, according to local media. (Photo by Sergei Karpukhin/Reuters)

Born 1938 in New York, Melvin Sokolsky was a major figure in the revival of fashion photography from the 1960s. He was only 21 when he started working at Harper's Bazaar for which he produced the “Bubble” series of photographs depicting fashion models floating in giant clear plastic bubbles suspended in midair above the Seine river in Paris. Alongside his steady collaboration with Bazaar, he also worked for publications such as Vogue and the New York Times. Photo: “After Delvaux” – “Paris 1963” – Harper's Bazaar “Bubble” Spring Collection. (Photo by Melvin Sokolsky)

“I am not a photo reporter, so I don’t feel obligated to honour every detail. What I’m trying to achieve is to emphasize the whole potential of a shot, creating a sight that I'd like if existed.. And since it’s impossible in real life, I do it in virtual :) My work is maybe more similar to ‘photo-painting’ than photography”. – Katarina Stefanović

Photo: Pannonian spring fantasy. (Photo by by Katarina Stefanović)