A dead wild boar is seen during a hunt in Castell'Azzara, Tuscany, central Italy, October 23, 2015. Extinct across much of the country by the end of the 1800s, the number of wild boar in Italy has almost doubled over the past decade and there are now about a million roaming the country, environmental and agricultural associations say. (Photo by Max Rossi/Reuters)

Filipino boys play basketball at an improvised court hooked on multi-layered tombs at a public cemetery in Navotas, north of Manila, Philippines on Thursday Oct. 31, 2013. Filipinos are expected to flock to cemeteries on November 1 to remember their dead as they observe All Saints Day in this predominantly Roman Catholic country. (Photo by Aaron Favila/AP Photo)

A participant with a face painted as popular Mexican figure “Catrina” attends the Day of the Dead event at a National house for Mexican fans in central Moscow, a host city for the 2018 FIFA World Cup, Russia June 29, 2018. (Photo by Sergei Karpukhin/Reuters)

Members of pop Idol SHINee and Super Junior carry the coffin containing the body of Jonghyun of SHINee during the funeral at the hospital on December 21, 2017 in Seoul, South Korea. The lead vocalist of the K-pop group was found dead, in what is believed to have been a suicide at his apartment on December 18. (Photo by Chung Sung-Jun/Getty Images)

Women in yukatas, or casual summer kimonos, take their selfie in front of paper lanterns during the annual Mitama Festival at the Yasukuni Shrine, where more than 2.4 million war dead are enshrined, in Tokyo, Japan July 13, 2017. (Photo by Kim Kyung-Hoon/Reuters)

Anne Leanzo, of Virginia, plays Ash from the Evil Dead movie and her daughter Gina, 15, plays Lilith from the Borderlands video game during Comic-Con 2017 in San Diego, California, July 22, 2017. (Photo by Bill Wechter/AFP Photo)

“Do-Ho Suh addresses issues of identity, memory, and relationships. Son of the famous Korean ink-painter Suh Se-Ok, Do-Ho Suh is a leading figure in the transnational avant-garde generation of Korean artists who came of age in the late 1990s, and his work eloquently represents a dual consciousness between East and West”.

Photo: “Karma” by Do-Ho Suh. Sydney and Walda Besthoff Sculpture Garden, New Orleans Museum of Art, New Orleans, LA. (Photo by Alan Teo)