“Kissing Booth” star Joey King (in blue wig) and “Game of Thrones” alum Maisie Williams laugh it up while enjoying a night on the town full of shots and karaoke in the second decade of September 2025. (Photo by Joey King/Instagram)

The characters fighting for Westeros in Game of Thrones are fighting mostly for CGI backdrops. Like many others TV series and movies, visual effects is a huge part of the production process as it handles details both great and small. A great credit to Game of Thrones is that the story is so good that we forget about the effects, and another great credit goes to the VFX team because their work is seamless. If you want to see the seams, you have to get a visual breakdown of how the shots are put together.

Reality TV personality Kim Kardashian speaks alongside US President Donald Trump during a second chance hiring and criminal justice reform event in the East Room of the White House in Washington, DC, June 13, 2019. (Photo by Saul Loeb/AFP Photo)

A passenger (L) gets inside a decorated matatu as other passengers wait for it to fill at night in the streets of Nairobi, Kenya, 24 March 2018. The Matatu culture is very big in Kenya, the minibuses are decorated with colorful graffiti inside and outside and most of them are equipped with TV screens, high-speed internet, and power sockets. (Photo by Daniel Irungu/EPA/EFE)

These Halloween horrors were all carved out of humble pumpkins by Ray Villafane and his team of professional sculptors who meticulously carved the terrifying characters using spoons and scalpels. Each one takes on average two hours to complete – with the horrifying results netting Villafane, plus colleagues Andy Bergholtz and Chris Vierra, numerous TV appearances each Halloween. This year the team has gone global travelling to Germany, Switzerland and Hong Kong to create their masterpieces. Photo: A horror face carved out of a pumpkin by Ray Villafane and team in Bellaire, Michigan. (Photo by Ray Villafane/Barcroft Media)

British South American Airways hostess Mary Guthrie with a pair of pineapples, on the return of the Lancastrian airliner 'Star Dust' to Heathrow Airport after a test-flight to Buenos Aires, 15th January 1946