Pakistani Muslims attend an Eid Al-Fitr prayer service, in Hyderabad, Pakistan, 31 March 2025. Muslims around the world have begun celebrating Eid al-Fitr, the three-day festival which marks the end of the fasting month of Ramadan. During Eid al-Fitr, most people travel to visit each other in town or outside of it and children receive new clothes and money to spend for the occasion. (Photo by Nadeem Khawer/EPA/EFE)

Contestants perform during the semifinals of the first Miss Colonia pageant hosted by the Factoría nightclub in Veracruz, Mexico, Sunday, March 5, 2023. The nightclub held the pageant as part of annual Women’s Day events and the only requirement for contestants was to prove residency in working-class areas of the city, known as “colonias”. Prizes originally covered utility bills and property taxes, but when the event attracted more sponsors the prizes expanded to include cash, travel, dental work, spas and makeovers. (Photo by Felix Marquez/AP Photo)

London Fashion Week makeup artist Val Garland in the first decade of September 2025 has created the definitive airport look ahead of Fashion Week, designed for long haul travel and inspired by Heathrow. Made entirely with cosmetics available in Heathrow’s World Duty Free beauty offering, passengers will have a chance to get the look themselves, as well as other immersive experiences as part of the Redefine Your Beauty campaign. (Photo by Daniel Lewis/Heathrow)

Edinburgh mask maker Lorraine Pritchard on Sunday, January 28, 2024 alongside some of her Venetian masks which will be worn and displayed at the Venice Carnival, which starts on Saturday February 3. Lorraine studied model making at Glasgow College of Building and Printing and Venetian mask making in Florence, Italy. She travels to Venice each year to be a “mask” herself, wearing different masks she has designed as a live exhibit of her work. (Photo by Jane Barlow/PA Images via Getty Images)

During the feudal times, the society was very structured where everyone knew their place. Fishermen knew that they would always have to bend their knee for highborn ladies and gentlemen, while the latter considered themselves to be far too superior to even look at the common folk. Mont Saint-Michel is a living memorial of those times. Its structural composition clearly reflects the structure of feudal society: The monastery and abbey were built on the highest point; housing and stores were built some distance below; finally, fishermen’s and farmer’s houses were constructed, not even being within the city walls, making them the most vulnerable to the possible attack.

“Guns have a massive amount of power associated with them. They are designed to kill. We decided to photograph portraits of them in a similar way you might photograph a powerful person. Like powerful people, pistols have this “perfect” quality that we wanted to explore. As we started shooting them, we could see flaws in their design. Metal burring around the barrels, scratches in the metal. This imperfection and detail were very interesting to us; connecting us back to these images as portraits”. – Peter Andrew. (Photo by Peter Andrew/Simon Duffy/Derek Blais)

Split Apple Rock is a geological rock formation in The Tasman Bay off the northern coast of the South Island of New Zealand. Made of granite, it is in the shape of an apple which has been cut in half. It is a popular tourist attraction in the waters of the Tasman Sea approximately 50 metres off the coast between Kaiteriteri and Marahau. The rock sits in shallow water at low tide and is accessible by wading. It is also a point of interest for the many tourist boats and pleasure craft which operate along the shores of the Abel Tasman National Park. The cleft to produce two sides of the 'apple' was a natural occurrence. It is unknown when this happened and therefore the cleaving of the rock has attracted mythological explanations.

The Mano de Desierto is a large-scale sculpture of a hand located in the Atacama Desert in Chile, 75 km to the south of the city of Antofagasta, on the Panamerican Highway. The nearest point of reference is the “Ciudad Empresarial La Negra” (La Negra Business City). The sculpture was constructed by the Chilean sculptor Mario Irarrázabal at an altitude of 1,100 meters above sea level. Irarrázabal used the human figure to express emotions like injustice, loneliness, sorrow and torture. Its exaggerated size is said to emphasize human vulnerability and helplessness. The work has a base of iron and cement, and stands 11 metres (36 ft) tall. Funded by Corporación Pro Antofagasta, a local booster organization, the sculpture was inaugurated on March 28, 1992.