Two of 20 skulls to be taken possession of by a delegation from Namibia stand on display at a ceremony at Charite hospital on September 30, 2011 in Berlin, Germany. The skulls are from Herero and Nama tribespeople taken by German colonial forces between 1904 and 1908, when the Germans violently suppressed an uprising in what was then German Southwest Africa, which is today's Namibia, and in the process killed tens of thousand of Herero and Nama. German scientists at the time took the skulls back to Berlin to demonstrate the racial superiority of Europeans over black Africans. Many Namibians demand a formal apology from the German government. (Photo by Sean Gallup/Getty Images)

“I am not a photo reporter, so I don’t feel obligated to honour every detail. What I’m trying to achieve is to emphasize the whole potential of a shot, creating a sight that I'd like if existed.. And since it’s impossible in real life, I do it in virtual :) My work is maybe more similar to ‘photo-painting’ than photography”. – Katarina Stefanović

Photo: Pannonian spring fantasy. (Photo by by Katarina Stefanović)

The photograph you see above isn’t the result of Photoshop or infrared photography. Captured by Spanish photographer Palíndromo Mészáros, it shows what the landscape of Ajka, Hungary looked like half a year after the Ajka alumina plant accident — an industrial disaster in which 35 million cubic feet of toxic waste flooded the land to a height of around 6.5 feet. Mészáros lined up the thick red line caused by the sludge with the horizon line to obtain this surreal image.

Zdzisław Beksiński, 24 February 1929 – 21 February 2005) was a renowned Polish painter, photographer, and sculptor. Beksiński executed his paintings and drawings either in what he called a 'Baroque' or a 'Gothic' manner. The first style is dominated by representation, with the best-known examples coming from his fantastic realism period when he painted disturbing images of a surrealistic, nightmarish environment. The second style is more abstract, being dominated by form, and is typified by Beksiński's later paintings.

Beksiński was murdered in 2005.