Demonstrators wear masks depicting Brazil's former president Luiz Inacio Lula da Silva (R) and Brazil's President Dilma Rousseff (L) as they take part in a protest calling for the impeachment of Rousseff at Paulista Avenue in Sao Paulo, Brazil, December 13, 2015. (Photo by Nacho Doce/Reuters)

Local residents fight to collect free drinking water from municipal corporation tanker on a hot summer day on the outskirts of Ahmedabad, India June 1, 2016. (Photo by Amit Dave/Reuters)

Food affected villagers cross flood waters through a bamboo bridge in the flood affected Morigaon district of Assam state, India, 05 July 2016. Continuous rain since last couple of days inundated six districts of Assam effecting more than 100 thousand people in the second wave of floods in Assam state. (Photo by EPA/Stringer)

Revellers parade for Gavioes da Fiel samba school during carnival in Sao Paulo, Brazil, February 6, 2016. (Photo by Paulo Whitaker/Reuters)

Jose Sabas Gomez pastes eyelashes to a statue of El Jesus Nazareno in his workshop in Apastepeque, El Salvador March 9, 2016. Sabas is one of a small number of artists still working on traditional religious art in El Salvador. According to him, there used to be more workshops engaged in the work of restoring statues of saints, but only four remain today as the labor-intensive craft is no longer a popular choice of profession. (Photo by Jose Cabezas/Reuters)

A migrant labourer brushes his teeth in front of a scrapped helicopter model in Mumbai, India, April 13, 2016. (Photo by Danish Siddiqui/Reuters)

Members of the Bolivarian National Guard who joined Venezuelan opposition leader and self-proclaimed acting president Juan Guaido fire into the air to repel forces loyal to President Nicolas Maduro who arrived to disperse a demonstration near La Carlota military base in Caracas on April 30, 2019. Guaido – accused by the government of attempting a coup Tuesday – said there was “no turning back” in his attempt to oust President Nicolas Maduro from power. (Photo by Federico Parra/AFP Photo)

Farhad Moshiri, an Iranian artist working a lot with carpet media using it as a mean to joke about consumerism culture, was one of the participants of the group show Love Me Love Me Not of Yarat! pavilion curate by Dina Nasser-Khadivi (read on her curating Lalla Essaydi's Harem here) at Venice 2013 Art Biennial. The installation consists of more than 500 carpets depicting celebrities-covered magazines from all over the world.