Singer Katy Perry arrives at the Metropolitan Museum of Art Costume Institute Gala 2015 celebrating the opening of “China: Through the Looking Glass” in Manhattan, New York May 4, 2015. (Photo by Lucas Jackson/Reuters)

Libyan leader Muammar Gaddafi attends the inauguration ceremony of Jacob Zuma on May 9, 2009 in Pretoria, South Africa. Jacob Gedleyihlekisa Zuma is South Africa's fourth President since the end of apartheid. (Photo by Foto24/Gallo Images/Getty Images)

Abbas (1944 – 25 April 2018) was an Iranian photographer known for his photojournalism in Biafra, Vietnam and South Africa in the 1970s, and for his extensive essays on religions in later years. He was a member of Sipa from 1971 to 1973, a member of Gamma from 1974 to 1980, and joined Magnum Photos in 1981. Here: Kuwait, 1991. (Photo by Abbas Attar/Magnum Photos)

A young boy lifts heavy bricks as he works at brick factory around Kathmandu valley. (Photo by Narendra Shrestha/EPA)

A man carries a figurine of Santa Muerte or The Saint of Death during the first prayer of the New Year in Mexico City, Mexico January 1, 2017. Nuestra Señora de la Santa Muerte is a female deity of Mexican folk religion, venerated primarily in Mexico and the Southwestern United States. (Photo by Carlos Jasso/Reuters)

Barking mad owners have proved they really do look like their pets – by performing impressions of their own dogs. In a series of hilarious “paw”-traits, owners pull their best faces to look like their pooches. Snapped by photographer Ines Opifanti, people stuck their tongues out, yawned and tilted their heads in curiosity at the camera. Opifanti, from Hamburg, Germany, came up with the idea while interacting with her own dogs, two pug/French bulldog crossbreeds. Here: Amina and Zazou the dog. (Photo by Ines Opifanti/Caters News)

Visitors to Salisbury Cathedral stop to look at Sean Henry's sculpture Standing Man (2007) currently being exhibited in the Cloisters on August 2, 2011 in Salisbury, United Kingdom. The exhibition, “Conflux: A Union of the Sacred and the Anonymous”, features over 20 contemporary sculptures of dramatically different scales occupying vacant plinths and open spaces on both the inside and exterior of the iconic 13th century building. This exhibition brings to the Cathedral the biggest single group of polychrome sculpture since the Reformation and runs until the end of October. (Photo by Matt Cardy/Getty Images)