A woman poses on the flooded St. Mark's square during an acqua-alta (high-water) alert in Venice, on November 19, 2013. (Photo by Andrea Pattaro/AFP Photo)

P.S. All pictures, as usual, are presented in high resolution. To see Hi-Res images – just TWICE click on any picture. In other words, click small picture – opens the BIG picture. Click BIG picture – opens VERY BIG picture (if available; this principle works anywhere on the site AvaxNews).

Paisley, a standard poodle, is pictured at Intergroom in N.J., March 2014. Intergroom is one of the largest cats and dogs grooming conferences in America. (Photo by Paul Nathan/Rex Features)

The Photo London Master of Photography award is given annually to a leading contemporary photographer. A special exhibition shows new and rarely seen images from Burtynsky’s portfolio. Here: Morenci Mine #2, Clifton, Arizona, USA, 2012. (Photo by Edward Burtynsky/Metivier Gallery, Toronto/Flowers Gallery, London)

A woman takes a selfie in front of a Lunar New Year display featuring sheep at a shopping mall in Hong Kong, February 13, 2015. (Photo by Bobby Yip/Reuters)

Dressed up as Punxsutawney Phil, Marty Nagy, of Hallandale Beach, Fla., gives thumbs up to passers by before the start of the 12th annual Groundhog Day on Hollywood Beach, Tuesday, February 2, 2016, in Hollywood, Fla. The event, which featured breakfast and an ocean plunge, benefited the Hollywood Beach Lifeguard Competition Team. (Photo by Wilfredo Lee/AP Photo)

Bouwe Brouwer: Postcards from Fryslân (series finalist). “People from Fryslân are looked upon by the rest of the Netherlands as stubborn people. Going back as far as the Spanish occupation, they have a history of resisting authority. Postcards from Fryslân is still an ongoing project – hopefully a lifelong one. When it started, it represented only a collection of places that seemed interesting. Currently, the hope is to cover most of the province, as you never know in advance where the best narratives are. But still, it is all candid, unposed and in the public realm”. (Photo by Bouwe Brouwer/Street Photographers Awards 2021)

For France, the trauma of the Algerian War (1954-1962) was not unlike the experience of the Vietnam War for the United States. But, unlike the conflict in Vietnam, few photographic documents exist from that period in Algeria: it is as if the French responded with collective amnesia. Marc Garanger’s Algerian Women is one of the few photographic essays dedicated to that painful period... Photo: A 1960 photograph of an Algerian woman in a French regroupment village. (Photo by Marc Garanger)