Everton fan and legendary fashion photographer Matt Lever has captured the dizzying drama behind the scenes at catwalk shows since 1999. Here: Balmain, Spring/Summer 2011. (Photo by Matt Lever)

Do tears of joy look the same as ones of woe—or ones from chopping onions? In “The Topography of Tears,” the Los Angeles-based photographer Rose-Lynn Fisher explores the physical terrain of one hundred tears emitted during a range of emotional states and physical reactions. Using a Zeiss microscope with an attached digital camera, she captures the composition of tears enclosed in glass slides, magnified between 10x and 40x. “There are many factors that determine the look of each tear image, including the viscosity of the tear, the chemistry of the weeper, the settings of the microscope, and the way I process the images afterwards,” she says.

“Dropping” is the work of Italian graphic artist Alberto Seveso. Seveso captured these amazing images or “fluid sculpture” with the use of high-speed photography while mixing ink with oil, as a tribute to the dripping technique of Jackson Pollock. Seveso works from his home town of Portoscuso, Italy creating cutting edge imagery for ad campaigns for companies such as Adobe, Sony, ESPN, Nikon and more. Sevese says of his work: “I don't consider myself as an artist, I'm just someone playing with software and creativity”... (Photo by Alberto Seveso)

The great vector artist OG Abel was a diamond in the rough. Growing up in violent surroundings, OG Abel found shelter in art. With an unsupportive father who always told him artist die broke, his only creative activity was strongly connected to religion. Having a church-going mother, OG Abel says he would spend hour drawing images from the Bible, his favorite pictures being those of animals, especially lions. He would also study the elaborate paintings in churches, the architecture, and/or the sculptures.

This thing has 24 cylinders, 1,704 cubic inches, 12 GMC superchargers (blowers), 8 nitrous bottles and it runs! Why build such a beast? “Because I can,” Harrah says. There’s no other reason to take a 24V71 and build an intake manifold that weighs 1,000 pounds and mount eight 6-71 superchargers on top of four others. This is a V24 Detroit Diesel (normally used to power ships) which is two V12 Detroits joined together nose to nose with splined cranks.

Revelers dance and shout as they listen to music, in front of the main stage, during the 21st Woodstock Festival in Kostrzyn-upon-Odra, Poland July 31, 2015. An estimated 200,000 people attended the ongoing festival, a brainchild of Polish journalist and social campaigner Jerzy Owsiak, on Friday. Owsiak initiated the event to say thank you to those who donated money to his GOCC charity organisation that delivers medical care for children. (Photo by Kacper Pempel/Reuters)

A dead wild boar is seen during a hunt in Castell'Azzara, Tuscany, central Italy, October 23, 2015. Extinct across much of the country by the end of the 1800s, the number of wild boar in Italy has almost doubled over the past decade and there are now about a million roaming the country, environmental and agricultural associations say. (Photo by Max Rossi/Reuters)

When he's driving, New York-based painter Gregory Thielker takes in the views that change from moment to moment: the road, the sky, other cars. “Inside the car it's easy to forget the outside temperature, humidity, the noise of the road”, he says. “But something happens when rain interrupts the view: the lens through which we are seeing is revealed. Water both obscures and highlights the landscape”. Gregory Thielker's exhibition “Between here and now” will be at Castor Gallery in lower Manhattan from early March. Here: “Complete Stop”. (Painting by Gregory Thielker)