Tsewang Dolma, 33, a farmer and housewife poses for a photograph in Matho, a village nestled high in the Indian Himalayas, India September 29, 2016. When asked how living in the world's fastest growing major economy had affected life, Dolma replied: “Our culture is spoiled now. We don't wear our traditional dress”. (Photo by Cathal McNaughton/Reuters)

European Space Agency astronaut Tim Peake will return home after a six-month long mission on the International Space Station,on June 18, 2016. Peake was the first British ESA astronaut to visit the ISS and captured hundreds of photographs of the Earth during his mission. Here: “Lots of sun-glint right now during our whole orbit – we haven't seen a sunset for over 3 days”, he wrote. (Photo by Tim Peake/ESA/NASA)

California-based photographer Seth Casteel made his name taking photographs of dogs underwater, but before that, he was snapping cats on land.

Every once and a while an artistic endeavor is so bold, so courageous and so innovative we are left speechless in its wake. Today, that project is “Pizza in the Wild”. The brainchild of Los Angeles-based photographer Jonpaul Douglass, the Instagram series that is so much more follows unsupervised pizzas – pepperoni pizzas, to be exact – living the L.A. life.

As the official airline of Middle-earth, Air New Zealand has gone all out to celebrate the third and final film in The Hobbit Trilogy – The Hobbit: The Battle of the Five Armies. Starring Elijah Wood and Sir Peter Jackson; we're thrilled to unveil The Most Epic Safety Video Ever Made

The Economic and Social Research Council (ESRC) has announced the winners of a UK national photography competition in which we challenged young people aged 14–18 for their unique take on society and the social sciences by asking them to take a picture on the theme of “Where Do I Belong?” – ESRC Press Office. Photo: “Society hurts”. (Photo by Grace Ridge/ESRC)

We pleased to present Broken Mirror/Evening Sky, a new series of striking landscape photographs by New York based artist Bing Wright. Departing from his usual pared down images in grey palettes, Wright offers us moving skyscape photographs of richly colored sunsets reflected onto broken mirrors. This new body of work marks his first return to color photography in almost a decade.