Looking towards the Times Building on Times Square, the Paramount Building is on the right, and Seventh Avenue on the left crossing Broadway. (Photo by General Photographic Agency/Getty Images). Circa 1930

Young girls dress up in traditional costumes and pose for a selfie at the opening ceremony of the Leishan Miao new year festival in the city of Kaili, Guizhou province, China on November 23, 2015. (Photo by Imaginechina/Rex Shutterstock)

Brides and grooms sit on top of an Indonesian Army vehicle during a mass wedding ceremony organized in Jakarta, Indonesia, Wednesday, January 28, 2015. More than 5000 couples participated on a mass wedding ceremony to legalized the previous religious marriage ceremonies. Most of the couples have not officially registered their marriage for economic reasons as it cost up to 500,000 IDR (35 euro) to legalized a marriage. The ceremony organized by Rajawali Foundation. (Photo by Achmad Ibrahim/AP Photo)

A visitor stands in the exhibition “I Am A Drop In The Ocean” dedicated to the artistic and visual expressions of the protests that shook the Ukraine from November 2013 until February 2014 at the Kuenstlerhaus gallery in Vienna, Austria, Thursday, April 10, 2014. The exhibition opens its doors from April 11 until May 23, 2014. (Photo by Ronald Zak/AP Photo)

Members of a teenage girl gang convincing an unwilling recruit to join the gang, circa 1955. (Photo by Vecchio/Three Lions)

A child dressed as a clown takes part in the celebration of the Virgen de los Desamparados, or Our Lady of the Abandoned, at Diria town, Nicaragua May 14, 2016. (Photo by Oswaldo Rivas/Reuters)

A guard secures gates of a catfish farm visited by a group of foreign reporters in Pyongyang, North Korea April 17, 2017. (Photo by Damir Sagolj/Reuters)

Documentary photographer William E. Crawford was one of the first Western photographers to gain access to North Vietnam after the war ended. He has photographed the capital, Hanoi, at regular intervals since 1985, concentrating on the colonial and indigenous architecture, urban details, landscapes and intimate portraits of people in their home settings, street scenes and the city’s surrounding countryside. Here: 54 Hàng Ga (Chicken Street), 1994. (Photo by William E. Crawford from the book “Hanoi Streets 1985-2015: In the Years of Forgetting”)