A ghost glass frog in the Chocó rainforest, Ecuador in November 2020. The marbled swirling “hypnotising” eyes are thought to be helpful in attracting a mate. (Photo by David Weiller/WENN)

A moment of intimacy at the Sydney Cherry Blossom festival in Auburn Botanic Gardens on August 19, 2024. (Photo by Mike Bowers/The Guardian)

A group of friends dance the night away at Latitude Festival in Suffolk, United Kingdom on July 22, 2021. Suffolk, returns as a covid test event after a year off due to the pandemic. (Photo by Guy Bell/Alamy Live News)

An aerial view of the figure of a Catrina skull made with 18,000 Cempasuchil flowers (Mexican marigold) is on display at the Church of Santa Prisca as part of Day of the Dead celebrations, in Taxco, Mexico on October 27, 2021. (Photo by Daniel Cardenas/Anadolu Agency via Getty Images)

Two sloth bear cubs save their paws from the hot ground during a search for food in the Daroji Bear Sanctuary in Karnataka, India in the second decade of January 2025. (Photo by Baiju Patil/Solent News)

British singer-songwriter and television actress Rita Ora in the second decade of February 2025 shows off her abs while getting a caffeine fix. (Photo by ritaora/Instagram)

Faruk, 17, a Rohingya refugee trader holds betel leaves which are on sale at a stall in Palong Khali refugee camp near Cox's Bazar, Bangladesh, November 3, 2017. He left his village in Myanmar when the military opened fire towards the Rohingya. “I buy this betel leaf from Palong Khali market, in one bundle there are 160 pieces, I buy it for 80 taka and I sell it for 100 taka (1 Bangladeshi Taka = 0.012 US Dollar). Bangladeshi's and I sell for the same rate in the camp. Outside in the local market it is 80 taka per bundle. My problem is that I don't have money so I can't buy anything to eat, I can't buy fish to eat”, he said. (Photo by Hannah McKay/Reuters)

Wide-angle category winner. Part of the Illusion by Marcus Blatchford (UK). Location: National Dive & Activity Centre, Chepstow, Wales. “This is the deepest inland dive centre in the UK. The dive plan was to explore the deep end, but this time I dived ‘unplugged’ (without my strobes). With the exception of this change to my camera technique, there were no planned shots I wanted to achieve – just a fun dive with ad-hoc photos along the way. Shortly after this photo was captured, in 6C water and two hours of decompression ahead of us, we turned and started the long ascent back to the surface”. (Photo by Marcus Blatchford/Underwater Photographer of the Year 2016)