A photo provided by the Atlanta Journal-Constitution shows Atlanta police officer T. R. Coxe removing painted material of a large swastika featuring a likeness of Republican presidential candidate, Donald Trump, along the northbound Buford Highway Connector just south of the Piedmont exit, in Atlanta, Georgia, USA, 09 December 2015. Just days after Donald Trump's call to ban Muslims from entering the United States, someone painted large swastikas featuring the Republican presidential candidate's face on at least two northeast Atlanta bridge supports. The symbol, which includes a cartoon of Trump sporting a Hitler-like mustache, was painted along the Buford Highway Connector. A second, similar image was found on a concrete bridge support on nearby Piedmont Road. Trump said in a statement released on 07 December that there should be a total and complete shutdown of Muslims entering the United States. (Photo by John Spink/EPA/AJC)

In this photo taken Monday, March 5, 2018, s*x worker Irene sits in her brothel in Juba, South Sudan. As World Women's Day is to be marked across the globe and women across much of the Western world have galvanized around the #MeToo movement, South Sudan remains a place where women face grinding difficulties and rights experts say most women remain voiceless. (Photo by AP Photo/Stringer)

Women talk during a Slutwalk march for the right of women to wear what they want without harassment on May 28, 2011 in Melbourne, Australia. The Slutwalk began with a small protest in Toronto, Canada, when women marched against a policeman who claimed he was told women should “avoid dressing like sl*ts in order not to be victimized”. Slutwalks are scheduled for Adeleaide and Sydney as well as other cities in North America and Europe. (Photo by Scott Barbour/Getty Images)

“Joan Miro i Ferra (April 20, 1893 – December 25, 1983) was a Spanish Catalan painter, sculptor, and ceramicist born in Barcelona. Earning international acclaim, his work has been interpreted as Surrealism, a sandbox for the subconscious mind, a re-creation of the childlike, and a manifestation of Catalan pride. In numerous interviews dating from the 1930s onwards, Miro expressed contempt for conventional painting methods as a way of supporting bourgeois society, and famously declared an “assassination of painting” in favour of upsetting the visual elements of established painting”. – Wikipedia

Photo: Joan Miro's, grandsons, Emilio Fernandez Miro and Joan Punyet Miro pose beside Personnage (1970) in the Yorkshire Sculpture park on March 14, 2012 in Wakefield, England. Yorkshire Sculpture Park stages the first major UK survey of sculpture by Spanish artist Joan Miro. (Photo by Bethany Clarke/Getty Images)

A group of young women have 'a bit of a do' for Oxfam at St Pancras International and enjoy a screening of the nation's favourite chick-flick Dirty Dancing on February 28, 2011 in London, England. Oxfam is calling on women across the UK to get together with their female friends in March to celebrate women's achievements for the 100th anniversary of International Women's Day (March 8, 2011) and raise money to support their work with women living in poverty. www.oxfam.org.uk/do (Photo by Ian Gavan/Getty Images for Oxfam). LONDON, ENGLAND – FEBRUARY 28

A woman walks past a painting by Jenny Saville entitled “Red Stare Head IV” on display in the Royal Academy of Arts' Summer Exhibition on June 2, 2011 in London, England. The Summer Exhibition is the world's largest open submission contemporary art show, now in its 243rd year, with over 12,000 entries received from 27 countries. The exhibition features over 1100 works of art including: painting, sculpture, photography, architecture and film, it officially opens to the public on June 7, 2011. (Photo by Oli Scarff/Getty Images)

“I was born in 1977 in Warsaw, Poland. I had graduated from the High School of Art in Warsaw. My journey into the world of photography began in the early 90's, but at that time my biggest passion was painting. Painting helped me develop vision that was hard to create. Unfortunately I had to leave the paintbrush and canvas. A few years ago, I opened “the door” to my own world with help of a different key”... – Michal Karcz. Photo: “Last Outpost”. (Photo by Michal Karcz)

A man looks at a mural painted on the walls of houses in Zaraeeb, created by French-Tunisian artist El Seed, in the shanty area known also as Zabaleen or “Garbage City” on the Mokattam Hills in eastern Cairo, Egypt, April 4, 2016. (Photo by Amr Abdallah Dalsh/Reuters)