Spot, a robot with dog-like movements, walks past a dog in Cathedral Square in Erfurt, Germany on April 20, 2021. Security service provider Ciborius, a provider of robotic security solutions with artificial intelligence, presented its artificial employee with high-resolution 360-degree all-round camera, ultra-bright LED light and a light detection system on Domplatz. (Photo by Michael Reichel/dpa)

A camel calf is seen among a herd in the desert near Dakhla in Morocco-administered Western Sahara, on October 13, 2019. In the Oued Eddahab desert in Western Sahara, Habiboullah Dlimi raises dairy and racing camels just like his ancestors used to, but with a little help from modern technology. While his animals roam free and are milked traditionally, by hand, at dawn and dusk, they are watched over by hired herders and Dlimi follows GPS coordinates across the desert in a 4X4 vehicle to reach them. (Photo by Fadel Senna/AFP Photo)

Freya Smith aged three, leads one of Erth’s giant dinosaur puppets across the road on August 6, 2019 in Edinburgh, Scotland. Australian theatre company Erth presents their best-selling show Dinosaur’s Zoo as part of Underbelly’s Fringe programme. Featuring giant dinosaur puppets which walk, roar and blink like the real thing, Dinosaur’s Zoo is a perfect example of edutainment for children of all ages, taking place at the McEwan Hall every day of the Fringe at 11am. (Photo by Jeff J. Mitchell/Getty Images)

A man wearing a face mask walks his dog as he pulls a trolley after shopping in Beijing on February 13, 2020. The number of deaths and new cases from China's COVID-19 coronavirus outbreak spiked dramatically on February 13 after authorities changed the way they count infections in a move that will likely fuel speculation that the severity of the outbreak has been under-reported. (Photo by AFP Photo/China Stringer Network)

A picture made with a tilt-shift lens shows “Dwarf Empire” cast member 19-year-old Han Zhen Yan posing in her fairy costume backstage outside one of the fairy tale-like houses at the Dwarf Empire theme park outside Kunming, China's Yunnan province, 04 April 2013. The Dwarf Empire theme park opened in mid-2009, employing a number of dwarves to create the show. Depending on what type of job they do at the park, employees earn between 800-2,000 CNY (100-250 Euros) per month, most of which goes towards their savings as lodging is provided, and their living quarters are equipped with kitchens where they prepare their own meals. (Photo by Diego Azubel/EPA)

Photographer Sandro Giordoan has created a photo series of people who look like they’ve just taken terrible falls, spilling all their things around them. “Each shot ‘tells’ about worn out characters who, as if a sudden black-out of mind and body took over, let themselves crash with no attempt to save themselves, unable, because of the fatigue of the everyday ‘representation’ of living, oppressed by ‘appearance’ instead of simply ‘existing’,” said Giordano. (Photo by Sandro Giordoan)

At this year’s Venice Bienniale in Italy, the Korean pavilion has a curious exhibit called “Commissions for Utopia”. It includes renderings from North Korea’s top architects and artists (all anonymous), many of whom studied at the Paekho Institute of Architecture, North Korea’s state-run architectural college, and none of whom have ever left the country. They were asked to create a vision of North Korea’s future sustainable architecture for its expanding tourism industry. Their final products are a glimpse into what it would be like to envision the future after being entirely cut off from the present for almost 70 years. (Photo by Nick Bonner/Kyle Vanhemert/Venice Architecture Biennale)

This breathtaking natural light show illuminating waters off the British coast looks like something out of hit film “Close Encounters of the Third Kind”. Photographer Adrian Campfield was out having dinner at a restaurant at Beachy Head, East Sussex, when the rays suddenly appeared. The 59-year-old and his wife Louise rushed outside onto the 535ft high cliffs to watch the spectacle. Mr Campfield, a former graphic designer, from Bexley, Kent, said the light was “changing all the time” for more than 15 minutes. (Photo by Adrian Campfield/Solent/Visual Press Agency)