Soldiers stop to buy goods at the main market of Diffa, Niger, March 23, 2015. Diffa is where Nigerien and Chadian troops fighting insurgent group Boko Haram are based at. (Photo by Joe Penney/Reuters)

Displaced Sunni people, who fled the violence in the city of Ramadi, arrive at the outskirts of Baghdad, April 17, 2015. Iraqi security forces fought Islamic State militants at the gates of the western city of Ramadi on Friday, and local authorities warned it was in danger of falling unless reinforcements arrived soon. (Photo by Reuters/Stringer)

In this Tuesday, June 23, 2015, photo, an Israeli vendor waits for clients at the southern Israeli town of Sderot, next to the Israel-Gaza border. A year after the Gaza war, the community in southern Israel, long battered by rockets from the Hamas-run territory next door, has slowly recovered and is even seeing a quiet boom. (Photo by Oded Balilty/AP Photo)

A passenger (L) gets inside a decorated matatu as other passengers wait for it to fill at night in the streets of Nairobi, Kenya, 24 March 2018. The Matatu culture is very big in Kenya, the minibuses are decorated with colorful graffiti inside and outside and most of them are equipped with TV screens, high-speed internet, and power sockets. (Photo by Daniel Irungu/EPA/EFE)

Children wave Vietnamese and American flags while waiting for arrival of U.S. President Barack Obama (not pictured) before a welcoming ceremony at the Presidential Palace in Hanoi, Vietnam May 23, 2016. (Photo by Reuters/Kham)

A Naga girl carries a child and walks up a slope during sunset in Kohima, capital of the northeastern Indian state of Nagaland, Thursday, September 19, 2019. Nagas are indigenous people living in several northeastern Indian states and across the border in Myanmar. (Photo by Yirmiyan Arthur/AP Photo)

A woman carries an idol of Hindu god Ganesh to her home on the first day of the ten-day-long Ganesh Chaturthi festival, amid the coronavirus disease (COVID-19) outbreak, in Mumbai, India on August 22, 2020. (Photo by Hemanshi Kamani/Reuters)

The “Dancing With Costica” series began when Australia-based photographer Jane Long decided to brush up on her retouching skills. After finding the Costica Acsinte Archive on Flickr, she became fascinated with the images and their subjects, wanting to bring them to life and give them a story. Here: the Costica photo on the left inspired Jane Long to create her version, titled “Innocence”. (Photo by Costica Acsinte Archive/Jane Long)