Spectators jump in a makeshift swimming pool set up along the race route as the pack of riders (peloton) cycles past, during the 9th stage of the 112th edition of the Tour de France cycling race, 174.1 km between Chinon and Chateauroux, central France, on July 13, 2025. (Photo by Marco Bertorello/AFP Photo)

Switzerland's Zoe Verge-Depre, right, sets up a shot for Esmee Boebner in a beach volleyball match against Canada at the 2024 Summer Olympics, Wednesday, July 31, 2024, in Paris, France. (Photo by Robert F. Bukat/AP Photoy)

Clouds turn shades of red and orange when the sun sets behind One World Trade Center and the Manhattan skyline on Wednesday, November 5, 2025 in New York City. (Photo by John Angelillo/UPI/Rex Features/Shutterstock)

Nikolai Tolstyh takes photos of paper animal silhouettes in a natural setting. The combination is surprisingly perfect: the surroundings provide both color for the cutout and a scene to frame the animal.

Triumph International's lingere set of bra and underwear come with a lock attached to the shorts and a key for the woman to give the key to her beloved on November 24, 2004 in Tokyo, Japan. (Photo by Koichi Kamoshida/Getty Images)

Li Guoqiang talks on his phone outside his house at Guangfuli neighbourhood, in Shanghai, China, April 1, 2016. Li, 38, is a deliveryman who rents a place at Guangfuli. In a corner of Shanghai, surrounded by a cement wall, lies one of the world's most valuable fields of debris and garbage. On paper, the Guangfuli neighbourhood is a real estate investor's dream: a plot in the middle of one of the world's most expensive and fast-rising property markets. But the reality is more like a developer's nightmare, thanks to hundreds of people living there who have refused to budge from their ramshackle homes for nearly 16 years as the local authority sought to clear the land for new construction. (Photo by Aly Song/Reuters)

In Dougie Wallace’s photos of Mumbai taxis, the chatter, yelling, and constant horns of the city are almost audible. A selection of his images is on show at Gayfield Creative Spaces, Edinburgh, as part of the Retina photography festival until 30 July. For four years, the Glasgow-born Wallace focused his photos on one kind of taxi in particular: the Premier Padmini, a 1960s workhorse painted in black and yellow. Locally known as “Kaali-Peeli”, there were once more than 60,000 of them in the Indian city. But thanks to laws restricting pollution, the cars now are fast disappearing from Mumbai’s streets. (Photo by Dougie Wallace/The Guardian)