Amanda Seyfried attends the premiere of 20th Century Fox's “The Art Of Racing In The Rain” at El Capitan Theatre on August 01, 2019 in Los Angeles, California. (Photo by Phillip Faraone/Getty Images)
A woman eats candy in the shape of a phallus during the Kanamara Matsuri, or Iron Phallus Festival through a street near the Kanamara shrine in Kawasaki outside of Tokyo April 5, 2015. The festival celebrates fertility and is used to raise awareness and money for the prevention of sexually transmitted diseases. (Photo by Thomas Peter/Reuters)
Japanese Yuuka Hasumi, 17, and Ibuki Ito, 17, also from Japan, who want to become K-pop stars, perform at an Acopia School party in Seoul, South Korea, March 16, 2019. Acopia is a prep school offering young Japanese a shot at K-pop stardom, teaching them the dance moves, the songs and also the language. (Photo by Kim Hong-Ji/Reuters)
People look at the Harmony of the Seas cruise ship leaving the STX shipyard of Saint-Nazaire, western France, for a three-day test offshore, on March 10, 2016. With a capacity of 6.296 passengers and 2.384 crew members, the Harmony of the Seas, built by STX France for the Royal Caribbean International, is the world's largest ship cruise. (Photo by Loic Venance/AFP Photo)
The Arizona State Sun Devils cheer team performs during the second half of the NCAAF game at Sun Devil Stadium on September 01, 2022 in Tempe, Arizona. (Photo by Christian Petersen/Getty Images)
Chinese honor guards prepare for the arrival of Palestinian President Mahmoud Abbas and China's President Xi Jinping at the Great Hall of the People in Beijing Wednesday, June 14, 2023. (Photo by Jade Gao/Pool Photo via AP Photo)
Dutch artist Berndnaut Smilde is interested in the ephemeral -- impermanent states of being which he documents through photographs. For Nimbus II, he used a smoke machine, combined with moisture and dramatic lighting to create a hovering indoor cloud in the empty setting of a sixteenth-century chapel in Hoorn, a small town in Holland. “I imagined walking into a museum hall with just empty walls. The place even looked deserted. On the one hand I wanted to create an ominous situation. You could see the cloud as a sign of misfortune. You could also read it as an element out of the Dutch landscape paintings in a physical form in a classical museum hall.”