#14 Kathellen of Brazil show her dejection after the 2019 FIFA Women's World Cup France Round Of 16 match between France and Brazil at Stade Oceane on June 23, 2019 in Le Havre, France. (Photo by Yves Herman/Reuters)

These are the stomach-churning pictures of the swing at the end of the world – a rickety wooden swing hanging over a precipice 2,660 metres above sea level – and not a seatbelt in sight. (Photo by Caters News)

For France, the trauma of the Algerian War (1954-1962) was not unlike the experience of the Vietnam War for the United States. But, unlike the conflict in Vietnam, few photographic documents exist from that period in Algeria: it is as if the French responded with collective amnesia. Marc Garanger’s Algerian Women is one of the few photographic essays dedicated to that painful period... Photo: A 1960 photograph of an Algerian woman in a French regroupment village. (Photo by Marc Garanger)

A villa privately built on the rooftop of a residential building in downtown Beijing has prompted complaints from neighbours living below. Professor Zhang, the villa owner, has been instructed to tear down the illegal building, according to the property managers. (Photo by Mark Ralston/AFP Photo)

British model Jourdan Dunn arrives for the premiere of “The Killing of a Sacred Deer” during the 70th annual Cannes Film Festival, in Cannes, France, 22 May 2017. The movie is presented in the Official Competition of the festival which runs from 17 to 28 May. Dress by Elie Saab Haute Couture. (Photo by Julien Warnand/EPA)

Nyaueth by Peter Zelewski – £2,000 third prize winner. This was taken near London’s Oxford Street as part of Zelewski’s series Beautiful Strangers. Zelewski explains: ‘The aim of Beautiful Strangers is to challenge the concept of traditional beauty with a series of spontaneous street portraits of everyday citizens who show character, uniqueness and a special inner quality’. (Photo by Peter Zelewski/Taylor Wessing Portrait Prize 2015)