Yang Shiguang, 77, performs stunts at a park in Xi'an, Shaanxi province, September 3, 2013. Yang has been a member of a stunt performance club since 2007, after retiring from a research institution. (Photo by Reuters/China Daily)

A Syrian migrant family enters Hungary at the border with Serbia near Roszke, Hungary August 28, 2015. As Europe struggles with its worst migrant crisis since World War II, Hungary has become, like Italy and Greece, a “frontline” state. So far this year, police say around 141,500 migrants have been intercepted crossing into Hungary, mostly from neighbouring Serbia. (Photo by Bernadett Szabo/Reuters)

Female panda Tian Tian makes her first appearance in front of the media since arriving from China on December 12, 2011 in Edinburgh, Scotland. (Photo by Jeff J. Mitchell/Getty Images)

A design studio has launched its own dogs of war – by cleverly blending iconic Second World War planes with their canine counterparts. Photo: Wellington bomber with Golden Retreiver camoflage. A design studio has launched its own dogs of war – by cleverly blending iconic Second World War planes with their canine counterparts. (Photo by BNPS)

Children guarded by Hungarian police play on the ground after being detained along with other migrants who illegally crossed from Serbia to Hungary near the village of Asotthalom, Hungary, September 16, 2015. (Photo by Dado Ruvic/Reuters)

A South Korean military vehicle drives past barricades at the military check point, near the Demilitarized zone (DMZ) separating South and North Korea on December 20, 2011 in Paju, South Korea. (Photo by Chung Sung-Jun/Getty Images)

Australia’s Hannah Fredericks competes in the women’s 200m backstroke heats during the Australian Swimming Trials at the Brisbane Aquatic Centre on June 13, 2024. (Photo by David Gray/AFP Photo)

Artist Vik Muniz is known for his gigantic composite installations and sculptures created from thousands of individual objects. In this new collaboration with artist and MIT researcher Marcelo Coelho, Muniz takes the opposite approach and explores the microscopic with a new series of sandcastles etched onto individual grains of sand.