Girls sleep in the back of their father's moto-taxi as he watches them from the front seat, days after an earthquake in Pedernales, Ecuador, Wednesday, April 20, 2016. A fresh tremor rattled Ecuador before dawn Wednesday, a magnitude-6.1 jolt that set babies crying and shaken residents pouring once again into the streets, fearful of yet more damage following a monster earthquake over the weekend. (Photo by Dolores Ochoa/AP Photo)

A young girl from the Makonde ethnic group wearing earth makeup on her facen, a beauty symbol, carries a baby on her back as she poses for pictures in the community of Marupa, a relocation center for internally displaced families in the Chiure district, on February 23, 2021. Thousands of families from different districts of the Cabo Delgado province who have been displaced have been located by the government in different areas of the province. (Photo by Alfredo Zuniga/AFP Photo)

A photograph of a girl carrying a baby on the spot of the previous day's car bomb attack that killed killed and wounded hundreds at the Sadriyah market in Baghdad, Iraq, Thursday, April 19, 2007, is inserted into the scene at the same location on Monday, March 20, 2023, 20 years after the U.S. led invasion on Iraq and subsequent war. (Photo by Hadi Mizban/AP Photo)

Student, Shoukria positions a stone for cutting at the Turquoise Mountain Gem cutting class on May 18, 2011, in Kabul, Afghanistan. The mineral resources of Afghanistan are relatively unexplored even with Afghanistan's mineral wealth of coal, copper, gold and iron ore, with precious and semiprecious stones, including high-quality emerald, lapis lazuli, red garnet and ruby. Given the country's remote and rugged terrain, on-going instability plus an inadequate infrastructure and transportation means that mining is still difficult. While many are trying to bring positive changes, Afghanistan's mining industry uses unregulated, primitive methods and outdated equipment. (Photo by Paula Bronstein/Getty Images)

Farhad Moshiri, an Iranian artist working a lot with carpet media using it as a mean to joke about consumerism culture, was one of the participants of the group show Love Me Love Me Not of Yarat! pavilion curate by Dina Nasser-Khadivi (read on her curating Lalla Essaydi's Harem here) at Venice 2013 Art Biennial. The installation consists of more than 500 carpets depicting celebrities-covered magazines from all over the world.

Is it the surface of the Mars or Venus or an undiscovered planet? Not at all. These pictures aren’t what you think they are. Christopher Jonassen, a Norwegian photographer shot these beautiful and otherworldly series called ‘Devour of frying pan bottoms’, which are visually similar to craters and scars on a planet’s surface. In his series Jonassen refers to a quote of Jean-Paul Satre who said: ‘To eat is to appropriate destruction’ and the meaning of the word ‘devour’, which stands for eating up greedily, destroying, consuming, and wasting.

Artist Victor Nunes combines every-day objects with simple illustrations to turn them into pictures of faces, animals and other playful scenes. His images invite us to look at the world differently and find creative images in our surroundings. Nunes’ art is a great example of pareidolia, which is our propensity to give meaning to random objects (like in this post about seeing faces in random objects). It’s the reason why we associate a smiley face with a human face and why some of Nunes’ pieces of popcorn or bread resemble faces to us.

Spectators in Moscow were treated to the site of humorously designed makeshift aircraft plunging into the Muskova River during the Red Bull Flugtag Moscow 2011 competition. 38 teams took part at the Flugtag – which means “flying day” – a competition in which teams in fancy dress attempt to pilot human-powered, home-made flying machines off a six-meter-high platform into water.

Photo: A makeshift aircraft plummets into the Moskva River during the Red Bull Flugtag Moscow 2011 competition. (Photo by Sergei Karpukhin/Reuters)