Fyn Baily aged eight at the Bloodstock festival on August 13, 2011 in Walton-on-Trent, United Kingdom. Bloodstock is the UK's largest heavy metal festival and features both established and unsigned bands over four days. (Photo by Bethany Clarke/Getty Images)

Artist Tsuneo Sanda was born in Osaka, Japan. He first came to Tokyo at age 23, and has been there ever since. He lives in a rural, residential town about 20km west of Tokyo with his wife, Sachicko, two sons, Kensaku and Sohei, and Vivian, their American Shorthair cat.

Horse racing is part of Naadam, a festival organized every July in Mongolia to celebrate the People’s Revolution. Using children as jockeys in such races has a centuries-long tradition. Boys and girls as young as 5 (although the law imposes a minimum age limit of 7) ride in races that can be dangerous, with hundreds of horses running across the steppe at distances of 12 to 28 kilometres at great speeds. (Photo by Tomasz Gudzowaty)

A mahout removes the prosthetic from Motala, age 50, at the Friends of the Asian Elephant (FAE) elephant hospital in the Mae Yao National Reserve August 29, 2011 Lampang,Thailand. Motala lost a foot many years back after stepping on a land mine and now is on her third prosthetic, as they need to be changed according to the weight of the elephant. (Photo by Paula Bronstein/Getty Images)

Scott Bisson of Quantum Creative Glass was first fascinated by the medium in high school chemistry class, at age seventeen. Since then, he has studied with five different masters, as well as at the world renowned Pilchuck School with Robert A. Mickelson, and has met and observed Dante Marioni, William Morris, and Peter Novotney.

Born in Russia where he was educated in fine arts from a young age, Rinat Shingareev took an early interest in the subject, for which he showed an affinity and talent. Later moving to Italy to attend the Fine Arts Academy he has been described by Italian Maxim as “one of the most talented artists in the world”. Now based in London Shingareev continues to paint vibrant and thought provoking pieces.

Bryan Berg was introduced to card-stacking by his grandfather at the age of 8. He is a self-taught artist in all of the techniques he uses today. Berg's freestanding card structures are based on a grid-like arrangement, which Berg tested in a structural engineering lab to support 660 lbs per square foot―using no tape, no glue, no folding, and no tricks.