A man celebrates the start of the New Year, backdropped by fireworks exploding in the background over Copacabana Beach in Rio de Janeiro, Brazil, Saturday, January 1, 2022. (Photo by Bruna Prado/AP Photo)

Participants take part in the 44th annual Gay and Lesbian Mardi Gras parade at the Sydney Cricket Ground (SCG) in Sydney, Australia, 05 Ma​rch 2022. (Photo by Bianca de Marchi/EPA/EFE)

A model walks the runway at the Agatha Ruiz de la Prada fashion show during the Mercedes Benz Fashion Week Madrid at Ifema on September 12, 2024 in Madrid, Spain. (Photo by Juan Naharro Gimenez/Getty Images)

A woman poses with her twins before the Igboora World Twins Festival 2024, in Igbo-Ora on October 12, 2024. (Photo by Olympia de Maismont/AFP Photo)

Vanessa Low of Team Australia makes a jump in the women's long-jump T63 final at Stade de France, during the 2024 Paralympics, on September 5, 2024. (Photo by Umit Bektas/Reuters)

Jesus Christ The Redeemer is seen during sunrise in Rio de Janeiro, Brazil August 2, 2016. Christ the Redeemer is an Art Deco statue of Jesus Christ in Rio de Janeiro, Brazil, created by Polish-French sculptor Paul Landowski and built by the Brazilian engineer Heitor da Silva Costa, in collaboration with the French engineer Albert Caquot. The face was created by the Romanian artist Gheorghe Leonida1. (Photo by Kai Pfaffenbach/Reuters)

A child, from Municipal school Parana, poses during the project “Fencing School” in Rio de Janeiro, Brazil, March 30, 2016. Children in Rio de Janeiro lift their sights and their swords to new idols, as a round of fencing workshops takes to public schools. The International Fencing Federation, together with the Brazilian and state federations, will reach 40 public schools in March and April. The aim is to whip up a following for the Olympic sport, little known in the soccer-mad nation, as Rio sets the stage for the Summer Games in August. (Photo by Sergio Moraes/Reuters)

Zulmira Jesus poses for a portrait at a street in Povoa de Agracoes, near Chaves, Portugal April 19, 2016. In the villages of Agracoes and Povoa de Agracoe, the steady drip-drip of emigration has brought down population numbers from more than 50 residents to fewer than a dozen each. These remaining villagers share the same glum acceptance that, after they have gone, their villages will die out too. It is the same desolate picture in scores of other backwater settlements in Portugal's interior, north to south. (Photo by Rafael Marchante/Reuters)