Star Wars collector James Burns, 44, poses for a photograph with some of his collection in London December 2, 2015. He said “I've met so many wonderful people, all over the world. It's a wonderful community of likeminded people with an interest in Star Wars. There's nothing else like it”. (Photo by Paul Hackett/Reuters)

In northwest Russia, in a small village called Alekhovshchina, Nadia Sablin's aunts spend the warmer months together in the family home and live as the family has always lived, chopping wood to heat the house and making their own clothes. Sablin's book of photographs, “Aunties: The Seven Summers of Alevtina and Ludmila”, is published by Duke University Press. Here: “Two-Handed Saw, 2014”. (Photo by Nadia Sablin)

Over the past three years, Los Angeles-based photographer Dotan Saguy has spent hundreds of hours documenting the diverse culture, people and pageantry of the iconic Venice Beach boardwalk. He was irresistibly drawn to the free-spirited, anti-materialistic and inclusive nature of the world-famous location, which he found to be a breath of fresh air in contrast to Los Angeles’s sometimes homogenized, celebrity-obsessed culture. (Photo by Dotan Saguy)

Pixie Howitt,left, Jada-Jo Branney and Darcey McKechnie, pupils at the Dance School of Scotland, pose alongside works in the exhibition Discovering Degas: Collecting in the Time of Sir William Burrell, in Glasgow on September 3, 2024. (Photo by Wattie Cheung/The Times)

Street photographer Yassine Alaoui Ismaili follows 16-year-old Emeer Guesmi, aka B-boy Zulu Rema, as he trains and performs breakdance moves – all without the use of his legs. At a breakdance championship in Tunisia, Casablanca-based street photographer Yassine Alaoui Ismaili noticed an unusual competitor: Emeer Guesmi, dancing without the aid of his lower legs. He started following him as he trained and performed. (Photo by Yassine Alaoui Ismaili/The Guardian)

In this photo taken in October 1917, provided by Russian State Documentary Film and Photo Archive, a machine gunner looks through a window at his position near the Kremlin in Moscow, Russia. The 1917 Bolshevik Revolution was long before the digital revolution allowed anyone to instantly document events. But the clumsy cameras of the time still caught some images that capture the period's drama. (Photo by Russian State Documentary Film and Photo Archive via AP Photo)

Located in the Mokattam Mountain in southeastern Cairo, Egypt, the Monastery of Saint Simon or the Cave Church is a beautiful and mystical location. The area is also known under the name of the “garbage city” because of the large population of garbage collectors or Zabbaleen that live here and who are the descendants of farmers who started migrating from Upper Egypt to Cairo in the 1940s.

“Do-Ho Suh addresses issues of identity, memory, and relationships. Son of the famous Korean ink-painter Suh Se-Ok, Do-Ho Suh is a leading figure in the transnational avant-garde generation of Korean artists who came of age in the late 1990s, and his work eloquently represents a dual consciousness between East and West”.

Photo: “Karma” by Do-Ho Suh. Sydney and Walda Besthoff Sculpture Garden, New Orleans Museum of Art, New Orleans, LA. (Photo by Alan Teo)