Model Irina Shayk shields herself from rain as she leaves the grand opening of Falconeri in SoHo of New York on October 16, 2019. (Photo by Backgrid USA)

Drinkers leave the bars as police patrol in Soho, in central London on September 24, 2020 as the clock nears 10pm, on the first day of the new earlier closing times for pubs and bars in England and Wales, introduced to combat the spread of the coronavirus. Britain has tightened restrictions to stem a surge of coronavirus cases, ordering pubs to close early and advising people to go back to working from home to prevent a second national lockdown. (Photo by Tolga Akmen/AFP Photo)

People dressed as Adam and Barbara Maitland from “Beetlejuice” ride the subway after leaving New York Comic Con 2022 on October 08, 2022 in New York City. The four-day event, which began Thursday morning at the Jacob K. Javits Convention Center in Manhattan, is expected to attract over 200,000 comic, fantasy and pop culture fans from across the country and world. (Photo by Alexi Rosenfeld/Getty Images)

Actress Lily Collins is seen filming on set of series 2 of “Emily In Paris” on May 4, 2021 in Saint-Jean-Cap-Ferrat, France. (Photo by Arnold Jerocki/GC Images)

Hasty Pudding Theatricals Woman of the Year Sandra Bullock gets kisses from Vice President John Blickstead (L) and President of Hasty Pudding Theatricals Clare Putnam (C) in Harvard Square February 12, 2004 in Cambridge, Massachusetts. (Photo By Douglas McFadd/Getty Images)

This restroom on the rubbly flanks of Jonsknuten in Norway looks up at the peak of the 904m mountain. Yu have to leave the door open to enjoy the view but the chances of being disturbed are minimal. (Photo by Olaf Menz/Lonely Planet)

Pod of dolphins surf effortlessly through the waves in the wild traveling at speeds up to 20 mph. (Photo by Greg Huglin)

Films that are being screened are advertised in a makeshift cinema located under a bridge in the old quarters of Delhi, India May 25, 2016. A makeshift cinema hall under a 140-year-old bridge in the Indian capital is allowing poor rickshaw pullers and migrant labourers to escape daily hardship and sweltering heat into a world of Bollywood song, dance and romance. With the rusty iron floor of the bridge as its ceiling and some old rags acquired on the cheap from a nearby crematorium serving as curtains and floor mats, the cinema shows four films a day. (Photo by Cathal McNaughton/Reuters)