Children play on a flooded highway during a summer downpour in Edsa, Quezon city, metro Manila, Philippines on April 25, 2018. (Photo by Dondi Tawatao/Reuters)

School children dressed in traditional attire eat breakfast before participating in a Republic day parade in Bangalore, India, Thursday, January 26, 2017. (Photo by Aijaz Rahi/AP Photo)

Children play on top of an abandoned car at the “Aguerridos Liberator” shanty town in Caracas, Venezuela, Thursday, May 9, 2019. (Photo by Rodrigo Abd/AP Photo)

Children exercise before a wrestling practice session at an old Basque ball game gymnasium in downtown Havana, October 30, 2014. (Photo by Alexandre Meneghini/Reuters)

Children play football in front of an abandoned train compartment next to a railway track in Dhaka, in this May 29, 2014 file photo. (Photo by Andrew Biraj/Reuters)

A Palestinian woman pulls a stroller with children, next to piles of rubble, during a rainy day in Gaza City,on November 25, 2025. (Photo by Mahmoud Issa/Reuters)

Milena Jami whips her llama to win the first place in the a race for children of ages seven and eight at the Llanganates National Park, Ecuador, Saturday, February 8, 2020. Wooly llamas, an animal emblematic of the Andean mountains in South America, become the star for a day each year when Ecuadoreans dress up their prized animals for children to ride them in 500-meter races. (Photo by Dolores Ochoa/AP Photo)

Erik Ravelo goes straight for the jugular in his series, Los Intocables (The Untouchables). Depicting children in one the most vulnerable poses of all time, Ravelo attempts to speak for those who cannot properly articulate their pain. The sick, twisted games that adults play can come at a cost to future generations and Ravelo’s series gives a voice to those children who get caught in the crossfire.