Ryo Minemizu, one of Japan’s emerging stars in the field of marine life photography and the 2017 winner of the Nikkei National Geographic photography prize, captures the beauty and complexity of plankton that drift in our planet’s oceans and other bodies of water in meticulous detail. Here: Batesian mimicry by a Soleichthys fish larva. (Photo by Ryo Minemizu/The Guardian)

Xie Guobiao (C), 11, tied to a pillar with a rope, cries as his grandmother (L) and younger sister look on at his home in Daohui village of Lishui, Zhejiang province May 7, 2014. Xie was diagnosed as mentally handicapped when he was young, but the family was not able to provide him with sufficient medical treatment because of poverty. At the age of six, Xie started to sneak out of his home when others were not looking, climbing on top of houses and smashing windows. Xie's family had to pay over 10,000 yuan ($1,606) in compensation to others for the damage he caused. Since then, the family has had to tie Xie up with a rope both at home and in public, they said. (Photo by William Hong/Reuters)

Factory landlord Lawrence Taylor (L), portraying a Colour Sergeant from the King's Royal Rifle Corps, part of the Rifles Living History Society, performs a drill with Connor Young (R) of the Queen's Own Royal West Kent Regiment Living History Group as they recreate the life of a First World War soldier at the Eden Valley Museum in Edenbridge in southeast England May 10, 2014. Lawrence has always had an interest in military history and specifically “The Rifles” – his veteran father's WWII regiment. When he became a re-enactor he chose not to re-enact WWII as many of the veterans are still alive, and he felt uncomfortable as he remembers his father would have flashbacks and nightmares about the war. United by a fascination with military history and a fondness for dressing up, groups such as the Rifles Living History Society and the Queen's Own Royal West Kent Regiment Living History Group get together to recreate aspects of life during the First World War. Reuters photographer Luke MacGregor photographed members of the groups, both as they took part in living history events and at their day jobs. (Photo by Luke MacGregor/Reuters)

Aerial shots always amaze us by their magnificence. Human-sized footprints look like ant trails, trees resemble little pieces of broccoli, and landscapes are transformed into breathtaking images, which look like something that can be seen under a microscope. This set of pictures features surreal aerial shots of Botswana taken by Zack Seckler. In the past, to make these kinds of shots, someone had to go up in a helicopter to take a picture. However, today, such images can be easily made using quadcopters, such as DJI Phantom or any other. Thanks to the new technology, we are able to view our world in new ways, allowing us to better appreciate its complexity and beauty. (Photo by Zack Seckler)

A boy sitting with his family looks up at a traditional Chinelo costumed dancer during a celebration 40 days after the birth of Jesus, in Xochimilco on the outskirts of Mexico City, February 2, 2015. The tradition of the Chinelo dates back to colonial times and the outfits and masks, which are supposed to resemble the faces of the Europeans and always sport an uptilted beard, became more elaborate between the 1800s and 1900s to make fun of the upper social classes. (Photo by Edgard Garrido/Reuters)

A model (C) looks at her mobile phone while backstage before the araisara Sara Arai Collection show during China Fashion Week in Beijing on March 27, 2015. China Fashion Week runs from March 24 to March 31. (Photo by Wang Zhao/AFP Photo)

Do tears of joy look the same as ones of woe—or ones from chopping onions? In “The Topography of Tears,” the Los Angeles-based photographer Rose-Lynn Fisher explores the physical terrain of one hundred tears emitted during a range of emotional states and physical reactions. Using a Zeiss microscope with an attached digital camera, she captures the composition of tears enclosed in glass slides, magnified between 10x and 40x. “There are many factors that determine the look of each tear image, including the viscosity of the tear, the chemistry of the weeper, the settings of the microscope, and the way I process the images afterwards,” she says.

A woman looks at a mural by South African artist FAITH 47 which decorates a wall in the village of Erriadh, on the Tunisian island of Djerba, on August 8, 2014, as part of the artistic project “Djerbahood”. Artists from 34 diffrents nationalities were invited by France-based Tunisian artist Mehdi Ben Cheikh to take part in an initiative to turn Djerba's Erriadh district into an “open sky museum”. (Photo by Joel Saget/AFP Photo)