David LaChapelle, Land Scape Anaheim, 2013, chromogenic print, 70 3/4 x 95 inches, 179.7 x 241.3 cm, edition of 3. Image courtesy of the artist and Paul Kasmin Gallery. (Photo by David LaChapelle Studio)

British Prime Minister Boris Johnson visits the Pavegen stand, a company that converts footsteps into energy, at the Innovation Zone during the UK-Africa Investment Summit in London, Britain on January 20, 2020. (Photo by Leon Neal/Pool via Reuters)

A woman uses a face masks as a preventive measure against the spread of the new coronavirus, COVID-19, in Bogota, on March 19, 2020. Colombia will block all international flights from Monday for 30 days, President Ivan Duque announced on Thursday. (Photo by Raul Arboleda/AFP Photo)

A couple share a kiss at the “Purple Rain” installation at the Lycée Jacques-Decour on August 02, 2020 in Paris, France. Part of Festival Paris l'Eté, the installation by Pierre Ardouvin is a tribute to the song by Prince and allows visitors to role play while equipped with umbrellas and accompanied by the song. (Photo by Kiran Ridley/Getty Images)

A female soldier takes part in a training for women at the Tolemaida Military Air Base in Tolemaida, Colombia, on May 16, 2023. The last time the Colombian Army enlisted women in their ranks was in 1993. Now, 30 years on, more than 1,200 women voluntarily joined the military service in the country. (Photo by Raúl Arboleda/AFP Photo)

Vendor Nyurgusun Starostina, 47, poses for a picture at an open-air market on a frosty day in Yakutsk, Russia, December 5, 2023. Temperatures in parts of the Sakha Republic, also known as Yakutia and located in the northeastern part of Siberia, went below minus 50 degrees Celsius (minus 58 degrees Fahrenheit) on December 5. (Photo by Roman Kutukov/Reuters)

Zeebra Lisa Thrower, New Zealand is modelled in the Bizarre Bra Section during the 2023 World of WearableArt Awards Night at TSB Bank Arena on September 22, 2023 in Wellington, New Zealand. (Photo by Hagen Hopkins/Getty Images for World of WearableArt)

Zed Nelson has photographed the same family, once a year on the same day, for 20 years. I take hundreds of photo’s of my extended family all year round, some just languish on my computer screen unseen by anyone, some get printed, some framed. What is really interesting about this project is not only the obvious time scale but his “ analytical approach“. The same plain background is used for each session and he chooses only 1 frame to represent that years image. My many photographs are a mishmash of family events, his create a family history unfolding . Perhaps less really is more.