Children stand next to an image of a Chinese space suit displayed on a screen, at the InnoTech Expo in Hong Kong, China on December 13, 2022. (Photo by Tyrone Siu/Reuters)

Children dressed as Santa Clause play with a soccer ball as they celebrate at their school ahead of Christmas in Chennai on December 23, 2021. (Photo by Arun Sankar/AFP Photo)

Children play after offering Eid al-Fitr prayers at Jama Masjid to mark the end of the holy fasting month of Ramadan, in the old quarters of Delhi, India on May 3, 2022. (Photo by Anushree Fadnavis/Reuters)

Children dressed as chess pieces perform during an event organised ahead of the 44th Chess Olympiad 2022, in Chennai on July 26, 2022. (Photo by Arun Sankar/AFP Photo)

Yawalapiti children play during the preparations for the celebration of “quarup”, a ritual held to honor in death a person of great importance to them, in the Xingu National Park, Mato Grosso State, May 7, 2012. (Photo by Ueslei Marcelino/Reuters)

Erik Ravelo goes straight for the jugular in his series, Los Intocables (The Untouchables). Depicting children in one the most vulnerable poses of all time, Ravelo attempts to speak for those who cannot properly articulate their pain. The sick, twisted games that adults play can come at a cost to future generations and Ravelo’s series gives a voice to those children who get caught in the crossfire.

Australian artist Polixeni Papapetrou trends the line between fantasy/theatre, mythology/reality, archetype/play, male/female, child/adult and animal/human. As with all her work the series The Dreamkeepers tells a story that includes her autobiographical relationship with her children, but it also says a lot more about the condition of childhood - its place in our culture and how we react to images of children in photography.

Children pose for photographs with the Dream Toys predicted Top 12 toys for Christmas during the Dream Toys 2007 Christmas predictions fair on October 10, 2007 in London, England. (Photo by Daniel Berehulak/Getty Images)