Children exercise before a wrestling practice session at an old Basque ball game gymnasium in downtown Havana, October 30, 2014. (Photo by Alexandre Meneghini/Reuters)

Children play football in front of an abandoned train compartment next to a railway track in Dhaka, in this May 29, 2014 file photo. (Photo by Andrew Biraj/Reuters)

Children with balloons play beside the statue of British comedy legend Eric Morecambe on January 16, 2012 in Morecambe, England. According to scientists January 16, 2012 was “Blue Monday”, the most depressing day of the year. (Photo by Christopher Furlong/Getty Images)

Inflatable pools were set up by volunteer youth to cool children living in tents in Khan Yunis city of Gaza under Israeli attacks, on July 18, 2024. (Photo by Hassan Jedi/Anadolu via Getty Images)

A Palestinian woman pulls a stroller with children, next to piles of rubble, during a rainy day in Gaza City,on November 25, 2025. (Photo by Mahmoud Issa/Reuters)

Indian children work nearby to their parents at a construction project in front of the Jawaharlal Nehru Stadium on January 30, 2010 in New Delhi, India. The children accompany their parents to the work site, where if they are prepared to work, they will receive money for bread an milk and be provided with dinner by the contractor. The sheer scale of the project has drawn an enormous population of migrant workers from all over India.

Australian artist Polixeni Papapetrou trends the line between fantasy/theatre, mythology/reality, archetype/play, male/female, child/adult and animal/human. As with all her work the series The Dreamkeepers tells a story that includes her autobiographical relationship with her children, but it also says a lot more about the condition of childhood - its place in our culture and how we react to images of children in photography.

Erik Ravelo goes straight for the jugular in his series, Los Intocables (The Untouchables). Depicting children in one the most vulnerable poses of all time, Ravelo attempts to speak for those who cannot properly articulate their pain. The sick, twisted games that adults play can come at a cost to future generations and Ravelo’s series gives a voice to those children who get caught in the crossfire.